Software How To

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Ron Leach  |  Apr 25, 2024

These days a modern smartphone is now considered by many to be a "real" camera, and there are many experienced shooters who capture excellent image on a mobile device. In this quick tutorial from Great Big Photography, a comprehensive source of imaging tutorials, you'll learn how to make great edits on your phone without uploading them to the computer.

Ron Leach  |  Jun 19, 2025

More and more photographers are using their advanced smartphones to capture amazing images, but some adept shooters fall short when it comes to mobile editing techniques. This quick tutorial with instructor Alex Hinson demystifies the process in a way that's far easier than you think.

Ron Leach  |  Apr 22, 2025

Photo instructor Maike Born insists that "The magical Tone Curve is Lightroom's most powerful tool for unlocking the full potential of your edits." We bet that if you're not already taking advantage of this transformative technique, you definitely will be after watching the five minute tutorial below.

Ron Leach  |  Jun 24, 2025

Sometimes you come across a breathtaking scene that's so expansive that it's impossible to fit everything into the frame, even with your widest lens. The solution to this challenge is creating a panoramic image that captures the stunning view.

Ron Leach  |  Oct 29, 2024

If you've avoided Photoshop's powerful Blend modes because you thought the technique was too complex for your post-processing skills, this quick tutorial from the Adobe Live Community will correct that misconception and get you started today.

Ron Leach  |  Apr 11, 2024

Photoshop's straightforward Clone Stamp tool is extremely useful for accomplishing  a variety of tasks when processing all sorts of images captured indoors or out, be they portraits, landscapes or just about anything else. If you're not taking advantage of the simple technique involved, it's long past time to get started.

Ron Leach  |  Jan 28, 2025

Experienced outdoor photographers understand why some scenes beg to be rendered in b&w, and there are two ways to get the job done. You can either set the camera to capture in monochrome or shoot in color and make the conversion during post processing.

Ron Leach  |  May 21, 2024

The Tone Curve is one of the most powerful tools in the post processing arsenal and it's super-easy to use. Yet it enables you to make the most of just about any image you shoot indoors or out.

Ron Leach  |  May 10, 2023

For the past couple months we’ve been bringing you weekly installments of an amazing free Lightroom Masterclass from the PHLOG Photography YouTube channel—each devoted to an important tool or technique that can make a huge improvement in your results.

Ron Leach  |  May 15, 2024

Understanding how to control depth of field (DOF) is essential for most forms of photography, and this technique can make the difference between a ho-hum image and one that makes viewers exclaim "Wow!" And nowhere is this more essential that when photographing macro subjects in the field—or even when shooting closeups of tiny inanimate objects at home.

Ron Leach  |  Nov 22, 2024

Midtone contrast is often a key ingredient for making impactful outdoor photos, but the technique is often overlooked by inexperienced shooters. As one successful pro likes to say, "it's the secret sauce that makes many images feel more lifelike" and jump off the screen.

Ron Leach  |  Mar 03, 2025

We've all marveled at spectacular photos of the nighttime sky, and the Milky Way is one of the major attractions. Unfortunately, many photographers take a pass on this epic opportunity because of the misconception that exotic gear is required or they lack the necessary skills.

Ron Leach  |  Feb 22, 2023

Achieving accurate results during the editing process is sort of like rolling the dice if not you’re not working with a correctly calibrated display. In fact, you’re probably better off with a cheap monitor that’s properly calibrated than with a high-end display that’s not.

Jon Sienkiewicz  |  Jun 05, 2014  |  First Published: Apr 01, 2014

We live in a world of color. Rendering a multicolored scene in monochrome, or as “black and white” (in quotes because that label is a misnomer), is a paradox. Back in the old film days, the difference between shooting color and shooting black and white was explained like this: amateurs begin with black and white, graduate to color, and when they really understand their art, go back to black and white. I subscribe to that theory, and that’s why my mission today is to warn you to never let your camera create monochrome images for you.

Jon Canfield  |  Mar 28, 2012  |  First Published: Feb 01, 2012

Digital black and white has probably never been more popular than it is today. All of the major editing programs like Adobe’s Photoshop and Lightroom and Apple’s Aperture support black-and-white conversions natively, and at a much higher quality than just a few years ago. While all of these programs can do black and white you can take your monochrome imagery to the next level with plug-ins, specific task programs that use the architecture of the main program to get the work done. These plug-ins (which may be available as “stand-alones” as well) produce some amazing work, letting you emulate various film types, grain patterns, and more, usually working with “presets” (image looks) that can be modified with ease to customize every image. Combined with the improved output from recent inkjet printers, there has never been a better time to explore digital black and white than today.

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