If there’s one universal truth that applies to whatever type of photographs you shoot, it’s this: If you don’t compose a scene properly, the image you capture won’t have as much visual power as possible. And despite our best efforts to frame photos correctly in the camera, a bit of cropping is occasionally necessary during the editing process.
Let’s get this out of the way up front: The old adage that, “you’re not a real photographer unless you shoot in Manual mode” is sheer and utter nonsense. Plenty of pros use Aperture or Shutter Priority depending upon the situation at hand. Feel better?
Do you want to make perfect masks in Lightroom and get the job done in half the time? If so, you’ve come to the right place. The Lightroom hack in the tutorial below is so simple that it only takes five minutes to explain.
PortraitPro and PortraitPro Body make dropping the subject into a new background quicker if you shoot them against a blue sky – or use a blue or green background in the studio.
German pro Christian Mohrle is a favorite among Shutterbug readers for two reasons: His imagery is stunning and the tutorials he posts are extremely effective and to the point. So when Mohrle identifies a Lightroom tool as the software's "most powerful feature," it's time to pay attention and learn how it works.
If you’re a regular visitor to our website you know we frequently post shooting and editing tutorials from German landscape photographer Christian Mohrle. In the quick-and-easy episode below you’ll see how Lightroom’s Masking tools play a big part in his beautiful imagery.
These days a modern smartphone is now considered by many to be a "real" camera, and there are many experienced shooters who capture excellent image on a mobile device. In this quick tutorial from Great Big Photography, a comprehensive source of imaging tutorials, you'll learn how to make great edits on your phone without uploading them to the computer.
Photoshop's straightforward Clone Stamp tool is extremely useful for accomplishing a variety of tasks when processing all sorts of images captured indoors or out, be they portraits, landscapes or just about anything else. If you're not taking advantage of the simple technique involved, it's long past time to get started.
For the past couple months we’ve been bringing you weekly installments of an amazing free Lightroom Masterclass from the PHLOG Photography YouTube channel—each devoted to an important tool or technique that can make a huge improvement in your results.
Achieving accurate results during the editing process is sort of like rolling the dice if not you’re not working with a correctly calibrated display. In fact, you’re probably better off with a cheap monitor that’s properly calibrated than with a high-end display that’s not.
We live in a world of color. Rendering a multicolored scene in monochrome, or as “black and white” (in quotes because that label is a misnomer), is a paradox. Back in the old film days, the difference between shooting color and shooting black and white was explained like this: amateurs begin with black and white, graduate to color, and when they really understand their art, go back to black and white. I subscribe to that theory, and that’s why my mission today is to warn you to never let your camera create monochrome images for you.
Digital black and white has probably never been more popular than it is today. All of the major editing programs like Adobe’s Photoshop and Lightroom and Apple’s Aperture support black-and-white conversions natively, and at a much higher quality than just a few years ago. While all of these programs can do black and white you can take your monochrome imagery to the next level with plug-ins, specific task programs that use the architecture of the main program to get the work done. These plug-ins (which may be available as “stand-alones” as well) produce some amazing work, letting you emulate various film types, grain patterns, and more, usually working with “presets” (image looks) that can be modified with ease to customize every image. Combined with the improved output from recent inkjet printers, there has never been a better time to explore digital black and white than today.
We’ve featured several tutorials on how to use the powerful Curves tool in Photoshop and Shutterbug readers keep asking for more so here’s another one, this time from Colin Smith at photoshopCAFE.
Are you familiar with Lightroom’s easy-to-use Camera Calibration capability? If not, after watching the video below it just may become your best friend.
A solid understanding of Lightroom's powerful masking tools is essential if you want to edit outdoor photographs for maximum impact. Unfortunately, some photographers spend far too much time getting the job done because they overcomplicate the process.