Software How To

This morning Adobe announced an update to Photoshop CC, named “Version 19.1,” with a host of enhancements including selection improvements, advanced support for Windows high-density monitors, and more.

Last month we brought you an interesting Lightroom tutorial demonstrating a unique method for using color curves adjustments to embellish mediocre landscape photographs with a beautiful soft dreamy twilight glow. This follow-up video provides an equally powerful tone curves trick that you'll definitely want to try.

If you’re a Shutterbug regular you know that we're big proponents of fixing unimpressive photos during post processing rather than relegating to the trash. Such is the case with this detailed tutorial from the PHLOG photography YouTube channel.

Most photographers know that Blue Hour and Golden Hour are great times to shoot because of the gorgeous colors at the beginning and end of the day. Last week we explained how to turn a dull landscape shot into a beautiful sunset image in Lightroom, and today you'll learn a technique for making a boring Blue Hour photo jump off the page.

If you’ve seen the classic 1973 film “Day for Night” you’re no doubt familiar with the cinematic technique, popularized by director Francois Truffaut, of making imagery shot during the day look like it was captured at night. And with a few quick steps in Lightroom, you can do much the same thing with your photographs.

Have you ever been out in the field on a nice day, found a great subject, and framed up the shot perfectly—only to discover that the images you captured are far less impactful that you expected? If your answer is "no," then you're better or luckier that the rest of us.

Given a choice, most outdoor photographers prefer to shoot at the beginning or end of the day. At Blue Hour, just before sunrise, the landscape is bathed in soft, cool tones, while at Golden Hour, just after sunset, beautiful warm tones prevail.