Software How To

Lightroom's Selective Color tools enable you to target and adjust specific colors independently of one another to accentuate or deemphasize certain elements within the frame. In this tutorial from one of our favorite post-processing experts you'll learn a unique twist on this technique for transforming a color shot to b&w while retaining colors in the main subject of the shot.

Hot spots and highlight blowouts are the bane of portrait photographers and others. They can occur with images shot in the studio under artificial illumination, as well as those captured with natural light outdoors. Fortunately there’s a simple and effective Photoshop fix, as you’ll see in the quick tutorial below.

Inexperienced Photoshop users tend to take a global approach to editing their images by relying upon adjustments that affect the photo as a whole. Today's tutorial from the PHLEARN YouTube channel provides yet another reason for using a local approach instead by making selective adjustments to different elements within the frame.

We often strive to shoot photos with out-of-focus backgrounds to draw more attention to a key subject within the frame. But what do you do when an entire shot is in focus? This quick tutorial from the Adobe Live YouTube channel demonstrates a simple solution for processing the image in Lightroom for a realistic look..

One variable that can make or break a photo is how the color in your scene is represented. Typically, the goal is natural-looking tones (unless a special effect is what you're after). And that's OK too.

One variable that can make or break a photo is how the color in your scene is represented. Typically, the goal is natural-looking tones (unless a special effect is what you're after). And that's OK too.

When making color adjustments in post-processing, Saturation plays a big role, whether you're after a realistic representation or something more unusual. We have some good news for those of you who use the Curves Adjustment tool to refine Saturation: Earlier this month Adobe added a very small adjustment that can pay big dividends by tackling a common problem with this approach.

Instructor Matt Kloskowski is a specialist in all things Adobe, who says his goal is "to provide straightforward tutorials to help photographers get the results they've always wanted," and this episode fits the bill. He jumps right in to Lightroom's Tone Curve panel and demonstrates how the new capability works.

Kloskowski begins by demonstrating the most common approach, that involves boosting the highlights and mid-tones a bit and then dropping the shadows by grabbing the relevant points on the Curve. This method, unfortunately, often results in oversaturation.

But here's the trick, now you'll find a simple Refine Saturation slider beneath the Curves graph that simplifies the fix because it's no longer necessary to employ Blend modes to get Saturation right. Kloskowski uses a tight shot of a vibrant hummingbird against a green background to demonstrate how easy this is to do.

This quick trick works with all sorts of photos, and Kloskowski pulls up a pretty seascape scene to prove this point. As you'll see, in this case he's able to retain the desired amount of contrast, without oversaturating the shot—simply by moving the slider. Whether you prefer light pastel colors, or a more vibrant look, the new tool gets the job done in a hurry.

After watching the video how about pulling up a few images you've already processed and see what you can create by using Kloskowski's advice. We think you may be surprised at how simple and effective this is to do.

You can find a wide range of editing tips and tricks on Kloskowski's instructional YouTube channel, so be sure to take a look.

We also recommend watching the tutorial we posted from another accomplished pro, with an in-camera technique for using complimentary colors to capture eye-popping photographs.

When improving soft images during the editing process there’s a big difference between sharp, crisp, and crispy. Do things properly and you’ll achieve realistic sharp results. But make a common mistake and you’ll turn an otherwise nice shot into a crispy, ugly mess.