Wildlife photography provides a number of unique challenges, not the least of which is locating the subjects you intend to shoot. One often has to deal with difficult light, whether it’s midday sun, deep shadows, or impending darkness when some species are most active.
Nailing exposure is often a challenge with all forms of outdoor photography because of ever-changing light, complicated scenes, and a variety of tones from foreground to background. With wildlife subjects this task may require even more thought and precision.
If you’ve ever tried your hand at photographing birds, you know that our feathered friends can be elusive and very difficult to capture. In this tutorial you’ll learn 10 simple tips and tricks for shooting great photos of birds at the beach.
The winners of the 3rd annual 2016 International Landscape Photographer of the Year (ILPOY) competition have been announced and all of them capture nature at its very best. The contest is a celebration of the most imaginative, artistic and inspirational landscape images of the past year, and will result in a commemorative book that will be available shortly, featuring the top 101 images of the competition.
Once the temperature drops, and flowers and insects disappear, many avid macro photographers stow their close-up gear until the coming of spring. But as you’ll see in the video below, winter is actually a great time to capture creative macro photos if you know what to look for and how to get the shot.
While most photographers are packing their gear away for winter, an increasing number are finding winter to be their favorite season for photography. Photographers willing to brave the cold often find popular locations deserted, dramatic light, and fresh snow that makes scenes come alive. Whether it’s a once-in-a-lifetime trip to a destination like Yellowstone, Alaska, or Yosemite, or something closer to home, winter is a great time to get to know these locations in a much more intimate way and at slower pace. Here are nine reasons why winter is the best season to go out and shoot.
Winter is a great time to capture beautiful outdoor images, but snow-covered landscapes can be difficult to get right in the camera. Fortunately there’s a way to make images that look as good as they did in the viewfinder, with a little help from Photoshop.
Christmas festivities are just three weeks away, and many folks have already decorated their homes with colorful lights and interesting objects. This means it's time to bone up on your skills and do a bit of practicing as the special season unfolds.
Doug McKinlay is a successful photojournalist who does a lot of street photography, and in this quick tutorial he describes two great techniques for making your images more interesting.
Spring is long gone, and summer ended almost a month ago, but that doesn’t mean the time for capturing great macro images is over. There are many opportunities to pursue close-up photography year-round.
One reason some street photographers shy away from shooting at night is that they dislike lugging around a heavy tripod to steady their camera when using long exposures under low light. But in the eye-opening tutorial below, you’ll see how a British pro makes compelling handheld photos at night.
You’ve no doubt marveled at the beauty of starlit skies, and scenes with the sparking Milky Way are among the best. Many photographers pass up these great opportunities, thinking that astrophotography is beyond their skills.
It’s amazing how cityscapes that appear drab during the day are transformed into sparkling scenes at night—just begging to be photographed. And this time of the year, when festive holiday lights often adorn the urban landscape, nighttime photography in the city can be more interesting than ever.
Have you ever marveled at spectacular images of the nighttime sky, but thought, “There’s no way I can do that”? If so, you’ll want to pay close attention to this tutorial, because with the proper approach astrophotography is not as difficult as it seems.
Photoshop offers such a broad array of capabilities that there are often several ways to accomplish the same task—some more complicated and than others. And often the best way to use a particular tool is just as easy and effective as doing things wrong.