Pro Techniques

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Jim Zuckerman  |  Jul 21, 2014

Photography gives us the ability to freeze moments in time that are impossible for the human eye to see. The collision of a drop of water with a pool of water is an event that is intriguing to see, and without the aid of a camera and flash it would be impossible to study, appreciate and admire.

Anthony L. Celeste  |  Jul 01, 2010

The web has opened the door to many business opportunities for photographers that never existed before, one being the ability to sell photos via websites that specialize in marketing “stock” photography. Stock photography finds its way into a multitude of fields, including publishing, advertising, business presentations, and web design.

The stock industry has changed...

George Schaub  |  Jul 01, 2010

It’s pretty easy these days to do what seemed a monumental task in the past—create a website that makes navigation easy, displaying and selling images simple, and that does not require eight-weeks attendance in an HTML class in some bleak basement classroom of an adult ed evening program to get to stage one. True, there are plenty of browser and editing programs that can create a web...

George Schaub  |  Dec 01, 2008

Google “photographer” and you get, as of this writing, about 140 million (!) possible URLs; do the same for “photographer web pages” and you get over 25 million! The motivation for creating a web page with your photographs is legion: it can be used to display your work to a worldwide audience; showcase work to potential clients; license images for sale in publications and...

Jack Neubart  |  Apr 03, 2012  |  First Published: Mar 01, 2012

Andy Marcus and son Brian are second- and third-generation portrait and wedding photographers. Their New York City studio, Fred Marcus Photography & Videography (www.fredmarcus.com), continues a tradition of dedicated service established by Fred Marcus back in 1941. “Back then my dad would use a 5x7 view camera for studio work and could be seen shooting portraits in bridal salons in the prestigious Bergdorf Goodman and Saks Fifth Avenue, among other venues,” Andy recalls. “When he shot weddings, he’d bring a Speed Graphic to the event—and flashbulbs.”

Steve Bedell  |  Apr 01, 2010

If you are a wedding photographer, you already know what I’m about to tell you. The advent of inexpensive digital cameras that can produce amazingly good photos has shaken up the wedding market. With that and other matters in mind, I interviewed four of the top wedding photographers in the US and asked them some hard questions about where the wedding market might be headed. Our top shooters...

Lorraine A. DarConte  |  Apr 01, 2010

There was a time when all wedding photography was pretty much the same. Well-trained photographers worked from “shot lists” and used high-end, medium format equipment. They took wedding portraits (many in-studio) whose hallmarks included great color, sharp details, beautiful lighting, and well-posed subjects. Wedding albums were filled with 8x10”, 8x8”, and 5x7”...

Wes Kroninger  |  Apr 27, 2012  |  First Published: Mar 01, 2012

In his new book, Wes Kroninger’s Lighting (ISBN: 978-1-608952-54-0, Amherst Media, $34.95 US), the author and photographer draws on his experience as a portrait, commercial, and editorial photographer to present strategies that will help photographers bring out the beauty and character in all of their subjects—from kids, to businessmen, to fashion models.

Jon Sienkiewicz  |  Feb 01, 2009

My friend wanted to begin shooting digital images of small objects for his company’s website, so he asked me to get him a deal on an expensive, full-frame D-SLR. The images were to be used primarily online at low resolution, and occasionally in an HTML e-mail newsletter. They were using a professional photographer to shoot the artwork for brochures, packaging, and their trade show booth.

Barry Tanenbaum  |  Dec 30, 2016

As we look ahead to 2017 and focus on the future of photography, it seemed appropriate to ask photographers who’ve created innovative, forward-thinking images what motivated them to make these inventive shots.

Jon Sienkiewicz  |  May 01, 2007

Water. Even a small amount can turn your favorite camera into a worthless, grisly paperweight.

If your camera gear gets in the drink, there's only a slim chance you can save it. But you can improve your odds if you follow these tips.

Act Fast
If your camera gets wet, it's important to act quickly. If you're outdoors...

Jon Sienkiewicz  |  Jun 26, 2025

Wanna know when it gets dark where you live? Not just "sorta the time," but the exact time? The key to unlock the precise information is in this 2-minute read.

Rosalind Smith  |  Aug 01, 2006

Imagine living on a beautiful island: Look to your left and see the sun rise in the morning; look to your right and see it set each night.

The secret nuances of color on the horizon where the sky meets the sea and the sea meets the shore have drawn photographer Alison Shaw to Martha's Vineyard off the coast of New England, where she has lived and photographed for...

Roger W. Hicks  |  Mar 01, 2010

There are plenty of reasons to eschew perfect sharpness. A classic application was to suppress lines and wrinkles, or just for a light, airy mood: as Tallulah Bankhead once said, “They used to photograph Shirley Temple through gauze. They should photograph me through linoleum.” Another reason is to create the sense of something half-remembered, imperfectly limned in the picture as in...

Jon Sienkiewicz  |  May 30, 2025

Why do professional photographers rely on AI-powered culling, AI-automated editing and AI-guided cataloging apps in their daily workflow? What are they gaining? With the help of my counterpart at Aftershoot, I reached out to two well-established pros to get some answers.

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