LATEST STORIES

2LT Michael S. Palmer– 141st Logistic Task Force  |  Jun 01, 2007  |  0 comments

We recently worked with 2LT Palmer of the 141st Logistic Task Force on a photo contest open to personnel at Camp Phoenix and serving in Afghanistan. The winners of that contest are shown on these pages. Along with the winning images 2LT Palmer sent us this text, which we think pretty much summarizes the idea and images. We wish all our brave men and women the best and a safe...

Roger W. Hicks  |  Jun 01, 2007  |  0 comments

It's made to use with your classic Leica; it's a long-established accessory, first introduced in 1931; it's in gorgeous black wrinkle paint, exquisitely engraved with the E. LEITZ WETZLAR logo; there's a beautiful red safelight glass built into the back; it's in mint condition; it's boxed, with instructions; when it was new, probably 50 years...

George Schaub  |  Jun 01, 2007  |  0 comments

Priced at about $499, the Canon PIXMA Pro9000 is a 13x19" printer that produces beautiful color prints on a wide variety of media. And it's one of the fastest color printers I've worked with, especially for working with fine art papers via its front-feed system. It can also work with thinner papers via its top-feed system, but those who will spend that amount on...

Maria Piscopo  |  Jun 01, 2007  |  0 comments

Twenty years ago, business software for photographers was limited. The move from paper to software was a big and risky leap of faith. We talked with a number of photographers to get their take on how, and if, software holds the key.

Geoff Manasse (www.manasse.com): I'm the sort of software user...

Joe Farace  |  Jun 01, 2007  |  0 comments

"Don't let's spoil everything, we've only just met."--David Hemmings in Michelangelo Antonioni's film Blow-Up

Since back in the days when a 3-megapixel camera was as good as it got, making big ones out of little ones has been a goal of digital photographers. Along the way this desire to create big prints from small files led to the...

Steve Gottlieb  |  Jun 01, 2007  |  0 comments

In the last several years, the digital revolution has completely changed how photo books and albums are created...and change has been for the better in every respect. It's out with the old--covers without images, prints painstakingly glued in or slipped into boring 4x6" sleeves, improvised captioning (often by hand), heavy pages (often with unappealing acetate...

Barry Tanenbaum  |  Jun 01, 2007  |  0 comments

Depending on which metaphor you like best, it's either the 800-pound gorilla in the pixel palace or the fly in the digital ointment. It's also, according to professional photographer Mark Gamba, "the thing no one is talking about."

So let's talk about it.

It's the protection and storage issue.

Now...

Peter K. Burian  |  Jun 01, 2007  |  First Published: Jul 01, 2007  |  0 comments

Although most of the new products shown at PMA 2007 were digital, at least some of the new lenses are just as useful for anyone still shooting with a 35mm SLR system. While some of the new zooms were designed exclusively for use with D-SLRs with the APS-size sensor, the multi-platform lenses work perfectly with both analog and digital cameras. That's because they project...

David B. Brooks  |  Jun 01, 2007  |  0 comments

It has been about a year since I first tried Apple's Aperture, reported on in the May 2006 issue of Shutterbug (available at www.shutterbug.com; type Aperture into the Search box). Since, Aperture has been updated via automatic upgrades from Apple. The Apple Aperture application for professional photographers as I described in my report was the first of its kind devoted...

Joe Farace  |  Jun 01, 2007  |  0 comments

"I'm not sure blogs are necessarily the best place to get a pulse on anything. People want to blog for a variety of reasons, and that may or may not be representative." --Steve Ballmer

Like it or not, Mr. Ballmer, blogging is a fact of life in this millennium. I'm always surprised by how many photographers' websites also have blogs. It...

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