You don’t have to be planning a trip to Mount Fuji or a hike through the Adirondacks during the Geminids Meteor Shower to have genuine need for a travel tripod. Their defining characteristics—small size, light weight, easy to deploy—make travel tripods perhaps the most versatile tools in your kit.
DSLRS are old. DSLRs' technology is ancient. DSLRs are dead. You've heard all these arguments before on why someone would be crazy to buy a digital SLR with its antiquated flappy mirror system today considering all the advances in the current crop of mirrorless cameras.
A couple days ago we shared the views of a Dutch pro, insisting that a telephoto lens is often a better choice for landscape photography than a wide-angle lens. Today we’re going to dig a bit deeper, with the following tutorial on how to choose the best focal length when photographing the great outdoors.
The latest edition of Shutterbug's monthly Exploring Light column, where pro photographers from Canon's Explorers of Light program offer tips, tricks and photo advice, is a little different from previous installments.
When it’s time to upgrade one’s gear, many savvy photographers begin by buying better lenses, rather than investing in a new camera. After all, it’s the quality off the glass that ultimately determines the quality of the images.
Are you down in the dumps because of these troubled times, with your inspiration running low? We have the perfect antidote: Ansel Adams. We guarantee that the following video, illustrating how Adams’ work changed photography forever, will cheer you up and provide a much-need jolt of creativity.
Many photographers are under the impression than a wide-angle lens is the best choice for landscape photography because of the expansive vistas involved. But according to acclaimed pro Mads Peter Iversen, going long often results in better images.