Portrait Photography How To

If you’ve spent any time in New York City, or attended the city’s annual PhotoPlus Expo (coming up next week), there’s a good chance you’ve come across a dapper gentleman shooting instant photos with a 1940’s Speed Graphic camera. In the charming video below, you’ll get an inspirational look at Louis Mendes, one of our favorite photography icons.

The first time I met Craig La Mere was at an ice cream shop in Brunswick, Maine, at about 11 p.m. Really. It was the night before the Maine Professional Photographers Association conference was going to kick off. I was there as a print judge, La Mere as a speaker. I recognized him from his Moz (his studio name) logo hat, although he didn’t know who this stranger was who was accosting him.

Joe McNally learned the value of supplementing available light with flash early on in his career as a photojournalist. Currently a Nikon Ambassador who works mainly as a commercial/editorial portrait photographer, McNally has become a staunch advocate for the use of Nikon Speedlights on location, often using these small flashes off camera in multiple lighting setups. McNally even mixes his Speedlights with studio strobes on occasion when the situation warrants.

It sure helps to have a sexy model when shooting swimwear, but there’s also a lot technique involved if you want to get great results. In this helpful tutorial, commercial photographer Dixie Dixon demonstrates what you need to know.

Got Questions About Photography? Professional Photographer and Photoshop Expert Scott Kelby Has Got Answers.

Yaw Addae is an enterprising and creative New York taxi driver from Ghana who photographs his passengers while he saves money to start a production company. He says the flexible schedule of a cabbie gives him plenty of time to pursue a variety of creative pursuits.

Tom Oldham has been shooting portraits for 20 years and is today widely known for his expertise in medium format photography, notably with Hasselblad camera systems. He began his freelance career at the age of 29, having worked as a technician at the Plymouth College of Art for a few years after completing his studies there.