Opinion

Photokina, the photography “show of shows,” opens in Cologne, Germany on September 20. The size of this biennial event is monstrous—you have to experience it to believe it. In 2014, a total of 1,074 exhibitors from 51 countries hosted 183,297 attendees. We’re taking serious show here. In honor of Photokina, here’s a pop quiz to test your knowledge of photography. 

Even photographers who usually shoot in Manual Mode should take a closer look at Program AE Mode. Why? Because in the right hands, the two modes are more similar than they are different. 

Do your friends often tell you that your photographs are so good you should become a professional? Do you sometimes stare blankly at the pages of National Geographic and hear a voice inside your head that says, “I can do better than that!”? Do you post on Instagram more than 70 times a week? If you answered “yes” to any of these questions, read on—and unleash the master picture-taker that’s lurking in your soul.

For my photography I prefer small, lightweight, responsive cameras to big, heavy, bulky DSLRs. While small cameras once lagged behind DSLRs in image quality and performance, today’s compact cameras are challenging their dominance with great cameras like the Sony A7S II, Panasonic Lumix DMC-LX100, Nikon P900 and the new, elegant retro Olympus Pen-F. These compact, bridge and hybrid cameras can even do things some big, bulky DSLRs can’t.

One of the most enduring and ubiquitous axioms in photography is that it’s the photographer behind the camera, not the camera itself that creates the image. Or, as one guy commenting on my recent article "My 10 Favorite Film Cameras" trenchantly put it, “In the end, the equipment you use doesn’t mean squat.”

You have common sense enough to know that you need a spare battery, high capacity memory cards, USB card reader and, for sure, a subscription to Shutterbug, so we won’t restate the obvious. But there are a few other things you really should have to maximize the fun and function of your new camera.

Professional sports photography for the editorial market is an endangered species. Unfortunately, a lot of it has to do with editorial clients turning away from the professional photographer to sports enthusiasts who are willing to trade their photos for season tickets.