Lighting How To

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Jack Neubart  |  May 10, 2016  |  0 comments

Jim Harmer didn’t start out as a travel and nature photographer. He was in law school when the photography bug bit him, and, before he knew it, he was traveling the world, capturing moments in time with his camera.

Ron Leach  |  May 02, 2016  |  0 comments

Have you ever been on location with a beautiful model and great scenery, only to be foiled by a drab, overcast sky? In this two–minute video, celebrity/sports photographer David Bergman explains how to combine creative color-balance control with off–camera flash to get some stunning results on a gray day in Belize.

Barry Tanenbaum  |  Apr 29, 2016  |  0 comments

BMX rider Daniel Coriz comes in at speed from the right side, launches himself up 10 feet, touches both tires, pulls the handlebars to pop a wheelie off the wall, then turns the bike for a clean exit. He lands a foot in front of adventure sports photographer Michael Clark, who’s been hand-holding his camera, tracking and firing to capture every turn and twist of the trick.

Ron Leach  |  Apr 18, 2016  |  0 comments

Reuben Wu is an artist with the fascinating vision of creating otherworldly landscape photographs that evoke both science fiction and 19th century Romantic paintings. He does this by selectively light-painting his scenes with a powerful done-mounted light.

Joe Farace  |  Feb 05, 2016  |  0 comments

LED lighting is all the rage with the cool kids and why not? It’s continuous and that’s important for new photographers or anyone wishing to capture hybrid—video and still—imagery. It’s also literally cool, with no eyebrow-melting hot lights making subjects uncomfortable.

Cynthia Boylan  |  Jan 08, 2016  |  1 comments

The fun video below from The Slanted Lens -- with support from Tamron, Dynalite, and Roscoe—features host Jay P. Morgan and actress Jodie Sweetin of Full House fame, as they set up for a crazy photo shoot.

Scott Kelby  |  Dec 18, 2015  |  0 comments

Hi everybody! Welcome to my new Q&A column here in Shutterbug—a magazine I’ve been reading, and been a fan of, for so many years—so it’s truly an honor to be here with you. I invite you to send in your questions to editorial@shutterbug.com (with “For Scott Kelby” as the subject line), and I’ll do my best to answer them in Ask a Pro. Now on to this month’s questions.

Scott Kelby  |  Nov 24, 2015  |  1 comments

Hi everybody! I’m very excited to be launching a new Q&A column here in Shutterbug—a magazine I’ve been reading, and been a fan of, for so many years—so it’s truly an honor to be here with you. I invite you to send in your questions to editorial@shutterbug.com, and I’ll do my best to answer them in Ask a Pro. OK, let’s jump right to it.

Jim Zuckerman  |  Nov 20, 2015  |  0 comments
In nature, lighting can make the difference between an okay photo and an amazing shot. Light can even become the subject and can affect composition, exposure, color, focus, feel and mood. This is why most nature photographers work around light, letting it determine when and where they work. In this chapter I’ll talk about the importance of shooting at the right time of day, how the direction of light affects subject matter and how weather plays an essential part.
Jim Zuckerman  |  Nov 20, 2015  |  0 comments

Low light photography presents many challenges, but like any challenging situation it also opens up opportunities to create unique images. Think outside the box and you will be surprised at the kind of images you can produce. The techniques I describe below will get you started. Try each one and see why there is no limit to what you can create with some imagination and effort, and have some fun in the bargain.

Scott Kelby  |  Oct 30, 2015  |  1 comments

Hi everybody! I’m very excited to be launching a new Q&A column here in Shutterbug—a magazine I’ve been reading, and been a fan of, for so many years—so it’s truly an honor to be here with you. I invite you to send in your questions to editorial@shutterbug.com (with "For Scott Kelby" as the subject line), and I’ll do my best to answer them in Ask a Pro. OK, let’s jump right to it.

Blaine Harrington  |  Oct 27, 2015  |  0 comments

When I realized that this column would be in the magazine’s lighting focus issue, I looked at the data for the photos I’d taken earlier this year during a nearly month-long combination of safari workshop, assignment, and stock shoot in Africa. What I found surprised me: I’d used flash on about one-third of the 13,000 photos I’d made on that trip. I had no idea I’d used my Speedlights as often as I had.

Joe Farace  |  Oct 23, 2015  |  0 comments

The trend of using continuous light sources for portraiture that I saw at last year’s WPPI show continues unabated with Westcott’s Two-Light Daylight D5 Softbox Kit being the latest offering. The kit uses fluorescent bulbs as a light source, although that word barely appears in Westcott’s early press material for the kit. Part of the reason may be that when it comes to photographs of people, fluorescent has a negative connotation but nothing could be further from the truth.

Steve Bedell  |  Oct 20, 2015  |  0 comments

You enter a room bustling with activity. You see models posing in front of photographers on two different sets, other models patiently sitting getting their makeup and hair done, lights and modifiers everywhere, while one petite woman seems to be in charge of this organized chaos. Welcome to a workshop with one of the premier glamour and fashion shooters of our day, Lou Freeman.

Staff  |  Oct 16, 2015  |  0 comments

Beautiful lighting, in many ways, is what photography is all about. And as our readers proved with this month’s submissions, if you want great lighting, all you need to do is look outside your window. While it’s not entirely surprising, our 10 favorite photos from this month’s assignment are all bathed in natural light. The results are simply radiant.

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