Lighting How To

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Jack Neubart  |  Sep 20, 2013  |  First Published: Aug 01, 2013  |  1 comments

“I have a mantra that I live by,” states San Diego-based Tim Tadder. “I believe that I work with the best clients in the world, and that they demand the best out of me. If the job calls for equipment I don’t have, I’ll make sure that I have it available so that I’m delivering the best product I can.”

Jon Sienkiewicz  |  Oct 16, 2012  |  First Published: Sep 01, 2012  |  3 comments

It’s a good thing that early photographers didn’t have to pass through airport security with their flash equipment. The pyrotechnics they used to light a scene would surely have merited more than a pat down. Many years ago, long before the flash tube or flashbulb, a century or so before the Flashcube, cameramen used a flash powder called thermite.

Barry Tanenbaum  |  Jul 25, 2012  |  First Published: Jun 01, 2012  |  18 comments

The intriguing thing about lightpainting is you never know exactly what you’re going to get. And whatever you get, you won’t get it again. That’s part of the technique’s appeal: you’re creating a one-of-a-kind photograph.

 

Simply, a lightpainting photo is an image made with a handheld, constant light source in a dark room or environment. The camera’s sensor captures only what you choose to illuminate. Lightpainting images can range from relatively simple to fairly complicated. Striking photos can be created indoors with nothing more than a still life subject, a tabletop to put it on, and a small LED penlight to light it. Or you can think big: how about a mega-powerful spotlight illuminating prairie land in the Grand Tetons or a mesa in Monument Valley?

Wes Kroninger  |  Apr 27, 2012  |  First Published: Mar 01, 2012  |  2 comments

In his new book, Wes Kroninger’s Lighting (ISBN: 978-1-608952-54-0, Amherst Media, $34.95 US), the author and photographer draws on his experience as a portrait, commercial, and editorial photographer to present strategies that will help photographers bring out the beauty and character in all of their subjects—from kids, to businessmen, to fashion models.

Maynard Switzer  |  Feb 23, 2012  |  First Published: Jan 01, 2012  |  1 comments

I don’t have to light up rooms or freeze fast action very often—travel photography doesn’t usually call for that, and, besides, I really prefer to shoot in natural light. Fortunately, most of the time I can, but there are instances when a flash will make the difference in a picture by narrowing the scene’s contrast range, making it possible for the camera’s sensor to capture the details in shadow and highlight areas. Often flash is the only way for me to make a picture, as I don’t have the luxury of coming back when the light is better.

Steve Bedell  |  Oct 01, 2007  |  0 comments

There are two real reasons to use a flash bracket. The first is to raise the flash high enough above the lens so that shadows just drop behind the subject instead of off to one side. When keeping a suitable distance from the background, the shadow will usually just disappear. The second is to eliminate the dreaded "redeye" caused by the flash being too close to the...

Lynne Eodice  |  Nov 01, 2005  |  0 comments

Lynne Eodice is an accomplished writer/photographer and a regular contributor to Photographic magazine.

 

The word photography literally means "painting with light." Thus, twilight is one of the best times to take pictures, as the light at that time is magical. You can capture colorful clouds at sunset time, silhouetted objects against a colorful sky, or the...

Mike Stensvold  |  Jul 01, 2005  |  20 comments

Photography is all about light. But wherever there's light, there are shadows lurking nearby. And therein lie some great photo ops.

 

Exposing Shadows
Contrasty shadow scenes can fool reflected light meters, such as those built into cameras. A spot meter enables you to meter the most important highlight area, and determine an exposure that will give...

The Editors  |  Sep 01, 2004  |  0 comments

Electronic flash is a versatile photographic tool. From tiny units built into cameras to multi-head studio flash systems with separate power supplies, electronic flash is popular with photographers from snapshooter through pro.

Here are a few handy tips to help you get better photos with flash.

 

 

Mike Stensvold  |  Aug 01, 2004  |  0 comments

Shooting good photos in dim light is challenging, but can also be quite rewarding, because capturing the feel of the existing light generally produces a more pleasant picture than using on-camera flash.

The basic problems facing the low-light photographer are being able to use a fast enough shutter speed to permit hand-held shooting, and being able to use a small enough lens aperture to...

The Editors  |  Oct 01, 2003  |  0 comments

Ways to be bright when it gets dark.

Low-light photography can yield some amazingly striking and unusual images. But it also presents a problem. You need a fast enough shutter speed to prevent camera-shake-induced image blurring, and sometimes to "freeze" a moving subject. You often need to shoot at a small enough aperture to provide adequate depth of field. You want to use the...

The Editors  |  Aug 01, 2002  |  0 comments

 

 

 

 

Electronic Flash : More than just spare light

What is an electronic flash unit? For one thing, it's spare light, conveniently packaged in a "little black box"—a compact, portable light source that enables you to take photos of many subjects when there isn't enough light to do so...

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