Lighting How To

If you've been shooting in Auto of Program mode and your images lack that special something, the tutorial below from the Photo Genius YouTube channel will solve the problem. In barely 14 minutes you'll learn the many benefits of Aperture Priority mode and pick some useful tips for capturing images with a creative flair.

We've all had the misfortune of traveling to a promising location, only to be confronted with bad light that's guaranteed to result in flat, boring photos. Under this situation you have two choices; return on a better day or do the best you can and see what you can accomplish when processing your shots.

According to outdoor photographer Len Erickson Luminosity Masks are a super effective tool for bringing out the best in just about any image you shoot outdoors. And by combining the power of Photoshop with the inexpensive Lumnezia Masking panel the task is easy with "ultimate control."

Most beginning photographers are enthusiastic about their new creative pursuit, but sheer passion alone is not enough to get the job done. That's because practice, a firm understanding of the fundamentals, and appropriate gear are essential if one is to develop their skills.

Earlier today we posted a tutorial with a foolproof in-camera method for shooting photos with perfect exposure. But what if you want to improve photos you shot in the past that don't quite hit the mark? The lesson below from the FJR YouTube channel demonstrates how easy this is to do with Lightroom's powerful Dodge and Burn tools.

Something magical tends to happen once the sun drops below the horizon: scenes that were dull and unimpressive during the day are often transformed into sparkling tableaus full of interesting light, vivid colors, and captivating reflections—while all the boring stuff disappears into the shadows.

One of the biggest challenges when shooting indoors is dealing with unusual light that imparts ugly color casts to the images you shoot. This can even happen when photographing outdoors in ambient light when nearby or overhead objects may bias tones and make them appear unrealistic.