Lighting How To

OK, it's time for some honest self-reflection if you're not a fan of supplemental illumination: Do your avoid flash photography because you prefer the look of available-light imagery? Or are you under the misconception that it's too difficult to do right?

Last week we featured a beginners guide to boudoir photography from an acclaimed pro who demonstrated how to capture sensuous images without flash by using window light as the primary source of illumination. Today Yuliya Panchenko is back with another eye-opening tutorial that delivers extremely dramatic effects

One of the first challenges faced by inexperienced photographers is arriving at a correct exposure, and this can be particularly difficult when shooting outdoor scenes full  of bright highlights and deep shadows. This tutorial explains how to take advantage of a simple camera setting that enables you to control the brightness of an image by instantly increasing or decreasing exposure.

Most experienced photographers turn up their noses at the Program exposure mode, preferring to shoot in Aperture Priority, Shutter Priority, or Manual. But as you'll see in this quick video from the Great Big Photography World channel, there are situations under which this "beginner" mode makes total sense—even if you have advanced skills.

Most experienced landscape photographers understand why blending bracketed exposures is often the only way to make great images of high-contrast scenes like sunsets, sunrises, or when the sun is high in the sky. That’s because no matter how good your camera is, it can be impossible to capture the wide range of tones from bright highlights to deep shadow with a single image in the camera.

This tutorial is the first installment of an eye-opening series describing conditions under which you shouldn't trust a camera's meter to deliver accurate exposures when shooting images in certain situations. Today you'll learn how much to underexpose a photo when faced with a low light, high contrast scene.

Outdoor photographers often confront a confounding challenge when shooting scenes with an extremely wide range of tones from deep shadows to bright highlights and everything in between. The problem is this: Their cameras lack sufficient dynamic range capabilities to nail an exposure in one shot.