Jack Neubart

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Jack Neubart Posted: Aug 01, 2010 0 comments

Fisheye optics are an unusual beast. The bulbous nature of the front element is one characteristic trademark, but the unique view this lens affords us is what makes it truly appealing—and at the same time challenging to work with.

My fisheye lenses have literally widened my view of the world around me and given me a new perspective on my photography. Admittedly, some...

Jack Neubart Posted: Sep 01, 2007 0 comments

Who would have thought that back when I bought my Olympus C-2100, which then boasted a 2-megapixel CCD, that one day I would be writing about cameras a fraction of its size with 10-megapixel imaging sensors? Interestingly, that camera sported a 10x optical zoom with Optical Image Stabilization (both courtesy of Canon). The cameras currently under discussion don't have 10x...

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Jack Neubart Posted: Jul 01, 2010 1 comments

Until now I thought I’d experienced practically every flavor of geotagging device on the planet (“Geotagging Devices And Software: Now You’ll Always Know Where You Took That Picture,” Shutterbug, May 2009). So when I was later introduced to Foolography at a trade exposition, I didn’t pay too much attention to their new Unleashed. Until they offered to send a test...

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Jack Neubart Posted: Nov 01, 2008 2 comments

“You need to establish a connection with the food in front of the camera,” observes New York-based food photographer Francesco Tonelli (www.francescotonelli.com). “I can do a better job photographing a dish when I can picture myself eating it. That’s the frame of mind I need to be in so that I can capture the...

Jack Neubart Posted: Dec 01, 2002 0 comments

Fujifilm FinePix S2Pro

I was standing in Times Square, the Fuji S2 Pro with 28-105mm f/2.8 lens in my hands, when I chanced to glance over my shoulder and noticed someone peering at me. The quizzical expression on my face was greeted by a...

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Jack Neubart Posted: May 01, 2009 0 comments

How many times have you traveled somewhere and taken a beautiful picture without quite knowing where you were at that instant later? That’s where “geotagging” (or “geocoding”) enters the picture.

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Jack Neubart Posted: Jul 01, 2009 0 comments

I love getting intimately close to my subjects with my digital SLRs, especially nature, and to achieve this goal I’ll use the best tools at my disposal. Understanding that a macro zoom may not bring me as close as I’d like, I’ll turn to a macro lens. But even this lens may not be practical or readily available in all situations. Sometimes we’d simply like to extend the...

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Jack Neubart Posted: Jul 01, 2005 0 comments

You may have set out to buy the ultimate tripod, only to discover that you'll also have to buy a separate head to shoulder the burden of your cameras. Or you may want to upgrade to a head better suited to your style of photography. For example, I wouldn't use the same head in my studio that I use when traveling: I'd want something lighter, with faster setup when...

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Jack Neubart Posted: Aug 08, 2012 Published: Jul 01, 2012 1 comments
Attempting to make the HDR process more user-friendly, the newly updated HDR Expose and Photoshop-dedicated plug-in 32 Float, now both in Version 2, largely share the same features and enhancements. As I see it, the improvements center mainly on workflow—reason enough to upgrade, in my opinion, and reason enough to consider these as serious tools for HDR work. Both are available from Unified Color Technologies.
Jack Neubart Posted: Aug 08, 2014 0 comments

The goal in HDR (High Dynamic Range) imaging is to recapture the full tonal range that you saw in the scene, despite dynamic range limitations of the camera sensor. Previously, HDR technique generally involved use of a tripod: now, while it is still advisable, it may become an option. It also required a static scene totally devoid of movement. Any movement resulted in misalignment and ghosting, or secondary images, caused by a shift in camera position or of moving objects from frame to frame.

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