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Jack Neubart Posted: Nov 06, 2015 0 comments
Cole Thompson is a refreshing voice in photography, speaking through the medium of black and white as he sees it. Self-taught, he seeks out the simple and intrinsic beauty in life and the world around him. For Thompson, shades of black, white, and gray are enough to define the most complex elements that surround us, even the nature of the universe.
Jack Neubart Posted: Oct 06, 2015 0 comments

Dividing his time between his New York City and Paris studios, photographer Adam Savitch specializes in still life and motion studies for advertising and editorial clients, often with an avant-garde mindset. When it comes to lighting, Savitch believes in the old adage “less is more.” He doesn’t throw a light at every nook and cranny of his tabletop sets. Instead he mostly employs only one light and finesses its effect on the subject.

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Jack Neubart Posted: Sep 28, 2015 0 comments
A colorful dragonfly alighted on a tree branch adjacent to the patio, so I went inside to grab my Nikon D300 and attached a Tamron 70-300mm lens. With strong backlighting, flash fill was mandatory, so I added an SB-900 speedlight to the mix.
Jack Neubart Posted: Sep 15, 2015 0 comments

Award-winning photographer and filmmaker/director Vincent Laforet has observed the world from both sides now: on the ground and in the air. And these days, he much prefers shooting from an elevated perspective that is proving both challenging and exciting, with a hint of danger to spice things up. What is that element of danger? Flying thousands of feet up in an open helicopter—at night, no less. Strap yourselves in for a wild ride…
Who Is Vincent Laforet?

Jack Neubart Posted: Aug 21, 2015 0 comments

I didn’t realize how much I could appreciate a mirrorless CSC (Compact System Camera) till, after working with the Samsung NX500 for several days, I picked up my Nikon D610 DSLR and realized I was carrying a brick in my hands. Don’t get me wrong, though. I still love my D610 and wouldn’t trade it in for anything (not just yet), but the new NX500 felt like a feather around my neck and in my hands. Even when I added the relatively heavy 50-150mm S-series lens, the combo still left me feeling as if I were working with a lyre, not a harp. Admittedly, like the lyre, it’s not as full-bodied an instrument, but the NX500 still plays a sweet tune.

Jack Neubart Posted: Aug 14, 2015 0 comments

It’s one thing to sit in the safety of a Jeep or Land Rover while photographing the wildlife of the Serengeti. It’s quite another to be one with nature, coming face to face with wild creatures on their level, and even to establish a certain rapport with the animals. Then add yet another ingredient: enduring harsh Arctic conditions for hours, if not days, on end, just to get that one great shot. Welcome to the world of wildlife and nature photographer John Hyde.<

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Jack Neubart Posted: Jul 22, 2015 0 comments

I’ve worked with Adobe Photoshop since it was first introduced. While it wasn’t my favorite image editing software initially, Photoshop grew on me as its capabilities grew, and it has become my go-to editor outside Lightroom.

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Jack Neubart Posted: Jul 14, 2015 0 comments

What defines fine art rests as much in the eye of the artist—be that a painter, sculptor, or photographer—as in the eye of the beholder who finds beauty and meaning in that work. The work can be something the artist discovers and captures or creates from scratch. In the case of photographer Hugh Kretschmer’s imagery, it is a tapestry interwoven with elements from disparate sources: a collage, if you will, forming a coherent whole and thereby conveying a message.

Jack Neubart Posted: Jul 07, 2015 0 comments

Lightroom has been always available as retail standalone software that you buy, install, update, and pay to upgrade when applicable. Well, that has changed, in part, thanks to the Adobe Creative Cloud, which unleashed a torrent of cloud-integrated apps, among them Lightroom CC.

Jack Neubart Posted: Jun 16, 2015 0 comments

Travel and nature photographer John Shaw lives his dream, traveling the world with his camera, without deadlines or obligations. His images go toward stock sales worldwide, in addition to being used in his many books. While he doesn’t shoot on assignment, magazine editors familiar with Shaw’s work will come to him when needed, or he’ll occasionally pitch story ideas to them when planning a trip.


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