Shooting professionally since the 1970s, San Diego-based Marshall Harrington (www.marshallharrington.com) has employed various processes and techniques, film and digital, that give him a competitive edge. In my book, Location Lighting Solutions (Amphoto), Harrington described his work as “visual semiotics,” explaining...
When you need the power and versatility of a studio strobe for location shooting and environmental portraiture but don’t want to schlep around a large, heavy studio system, you can turn to a portable lighting kit.
Don Dixon (www.dixonfilm.com) has always impressed me as the consummate professional. A contributor to two of my books, Studio Lighting Solutions and Location Lighting Solutions (Amphoto), he continues to produce a body of work that stands head and shoulders above many when it comes to originality. His digital composites never cease to amaze...
Over the years, digiframes as a display medium have mushroomed, and in the process gained some very entertaining and useful capabilities. And prices have come down enough to ensure they will be around for a long time. They are no longer a fad, something indicated by the proliferation of products that came out this year.
The latest digiframes bring a host of novel features to the...
I love getting intimately close to my subjects with my digital SLRs, especially nature, and to achieve this goal I’ll use the best tools at my disposal. Understanding that a macro zoom may not bring me as close as I’d like, I’ll turn to a macro lens. But even this lens may not be practical or readily available in all situations. Sometimes we’d simply like to extend the...