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Barry Tanenbaum Posted: May 01, 2003 0 comments

Edge To Edge

Keep your eyes moving. That's good advice for any photographer, especially for an outdoor, nature, and adventure shooter. James Kay, whose work fits into those categories, is always looking for the best angles...

Barry Tanenbaum Posted: Apr 01, 2000 0 comments

In what's become an
annual announcement for us, we're happy to pass on news of the
Hasselblad Austrian Super Circuit 2000, this year's edition of
the world's largest salon of photography. Thesalo...

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Barry Tanenbaum Posted: Aug 13, 2012 Published: Jul 01, 2012 2 comments
Ron Magill is a trained zoologist and the communications director of the Miami-Dade Zoological Park and Gardens—Zoo Miami for short—and if you think that gives him an advantage when it comes to taking outstanding wildlife images, you’re right. But don’t turn the page. What’s needed to get a share of the wildlife “Wow!” factor is technique, access, and information that’s available to all. You will also need dedication and persistence. Above all, be sure to pack your patience along with your camera and lenses.
Barry Tanenbaum Posted: Feb 24, 2015 0 comments

If there’s one thing to be learned from a 27-year career shooting for the New York Daily News, covering everything from breaking news to sports, food to fashion, it’s to keep your eyes open. David Handschuh calls this photo “the ultimate walking around with your eyes open picture.”

Barry Tanenbaum Posted: Feb 01, 2004 0 comments

This website, Jack Neal offers this observation by the noted photographer Duane Michals: "I think photographs should be provocative and not tell you what you already know. It takes no great powers or magic to reproduce somebody's face in a...

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Barry Tanenbaum Posted: Jun 29, 2014 Published: May 01, 2014 0 comments
When Nathan Crowder shows his work at the Tennessee Art League’s monthly gallery show in downtown Nashville, he favors the maximum effect of displaying a few large images rather than, say, ten 8x10s. Not too long ago, this photo got an especially strong, emotional, and gratifying reaction.
Barry Tanenbaum Posted: Dec 01, 2005 0 comments

Through the viewfinder David X. Tejada saw Bart Simpson strangling Saddam Hussein.

"It was at the time of the first Gulf War, and I was shooting at a mining site in Nevada," David says. "I've got a 300mm lens on the camera, and I'm directing a surveyor out in the field by walkie-talkie. I'm having him look through his surveying scope.

Barry Tanenbaum Posted: Feb 01, 1999 0 comments

When a writer friend heard
that photographer Les Jörgensen takes landscape and location photographs
using a high-resolution digital back on a view camera, and goes into
the field with a computer, batteries, battery...

Barry Tanenbaum Posted: May 17, 2016 0 comments

Bill Hatcher was near the park entrance when a wildfire forced the closing of Tioga Pass road into Yosemite National Park last summer. “The fire was threatening to cross the road into Yosemite,” he says, “and helicopters and tankers were being sent out on kind of a bombing run to cut the fire off.”

Barry Tanenbaum Posted: Mar 31, 2015 0 comments

Unlike landscape, portrait, wildlife, or even sports photographers, the first shots taken these days by advertising photographers on the job are almost always instantly seen and judged—by the client, the client’s representative, an agency rep, or an art director. Pressure, anyone?

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