Barry Tanenbaum

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Barry Tanenbaum Posted: Sep 01, 2007 1 comments

Years ago, before I became a free-lancer, I worked at a publishing company that every summer held a couple of employee baseball games, and for each game I was asked the same question: "You gonna play or shoot?"

Tough decision. I loved to play baseball. Though my passion exceeded my skills, I was a reliable singles hitter and played an adequate first base.

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Barry Tanenbaum Posted: Feb 01, 2006 0 comments

So you wake up one morning and think, you know, what I'd really like to do is start my own photography workshop.

You or me, we hit the snooze button and see what we come up with after 10 more minutes of sleep. But not Steve Gottlieb. A commercial photographer with three books to his credit, Steve had been thinking about workshops. He had a close friend who...

Barry Tanenbaum Posted: Sep 09, 2014 0 comments

Mark Alberhasky, for one. Put him in a great situation where he can take very cool photographs and he’ll nail them nine times out of 10. Chances are, though, that won’t be enough. Just because the photos he’s making look good doesn’t mean he won’t be thinking about what he can do to create even better ones. You can attribute that drive to several factors, one of which is his early realization that if he took a straightforward photo of what everyone else was seeing, no matter how good a photo it was, it would be just that: what everyone else was seeing. The goal was to come up with his own ideas and add them to the creative process, and many of Mark’s photos are the result of taking that e

Barry Tanenbaum Posted: Nov 25, 2014 0 comments

“Photography is always a bit random in the UK because the weather is so changeable,” Martin Turner says. When he and his friends arrived late in the afternoon at the Weston-super-Mare seaside resort in North Somerset, they were greeted by “absolute, gorgeous sunshine.” Which lasted about 45 minutes. “All of a sudden the sky went black,” Turner says, “and we had to stand underneath the pier whilst it chucked down rain for quite a while.” Then the clouds broke, and at about 8:00 in the evening he was able to capture this sunset image.

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Barry Tanenbaum Posted: Jun 23, 2011 Published: May 01, 2011 1 comments
Well, it’s really only one city—New York—but the assignment called for Jon Ortner to capture images so different in spirit and approach that he might as well have been in two very different cities. There was not only a dual nature to the job itself but also something of a split personality to the building Jon was hired by developer J.D. Carlisle to photograph. Located between 29th and 30th Streets on Sixth Avenue, the 54-story structure in fact has two names and natures: from the street to the 25th floor it’s the Eventi Hotel; at the 26th floor it becomes the Beatrice and rental apartments.
Barry Tanenbaum Posted: Jun 05, 2014 Published: Apr 01, 2014 0 comments
The camera Michael carries might be his Leica M6, loaded with either Ilford XP-2 or Kodak BW400CN chromogenic film and fitted with either a 35mm f/2 or 50mm f/2 Summicron lens; or his Fuji X10 point-and-shoot with its zoom lens set for the equivalent of 50mm; or his Nikon D200 or D700 with the manual 50mm f/1.4 Nikkor lens he got with his F3 back when he was in college.
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Barry Tanenbaum Posted: Oct 01, 1999 0 comments

Anna Shteynshleyger
Yale University School Of Art
New Haven, Conneticut

Currently. In her junior year of a four-year degree program.

...

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Barry Tanenbaum Posted: Jul 01, 1999 0 comments

Camilla Slertman
School of Visual Arts
New York City

Currently. In the first year of the graduate program in Photography and...

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Barry Tanenbaum Posted: Sep 01, 1999 0 comments

Ian Londin
Parsons School Of Design
New York City

Currently. A June graduate of Parsons, Ian is now working as an assistant in New York...

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Barry Tanenbaum Posted: Jan 01, 1998 5 comments

Jeffrey Schad

Fashion Institute Of Technology
New York City

Currently. In his third...

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