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Posted: Mar 30, 2010 0 comments

April 2010

On The Cover
This month our focus is on the art and craft of wedding photography, as we explore some intriguing aspects of that challenging business. In addition, we look into the business of assisting and have brought you insider tips from the best and brightest photo assistants working in the field today. Finally, we haveTes...

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Steve Anchell Posted: Jan 31, 2006 0 comments

All...

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Posted: Aug 28, 2007 0 comments

Photographer/Publisher Andrew Hudson teaches "Successful Self-Publishing"
at Sundance Photographic Workshop
November 8-12th session helps students create `coffee-table' photo
books




Sundance, Utah, July 27, 2007 -- Awarding-winning photographer and accomplished
self-publisher Andrew Hudson will share thesecre...

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Posted: Dec 30, 2008 0 comments

January 2009

On the Cover
This month we’re taking you directly to the show floor of photokina, the world’s largest photo and imaging show held in Cologne, Germany, every two years. As you’ll uncover while reading our reports, there is a lot of innovation coming your way in 2009. For starters, expect to hear more aboutthe...

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George Schaub Posted: Jan 18, 2005 0 comments

There are times when you want your color to exactly match what's in the
scene, but for the most part color is a fairly subjective matter that can be
tweaked with ease in just about any image-editing program. Color has a hue--like
yellow, green or blue--as well as a vividness, which in photography is
often called its saturation. In addition, color can have a cast, which is influenced
by the prevailing lighting conditions when we make the photograph. That cast
can be influenced by the light source itself, such as photographing under direct
sun versus what we'd get when photographing under tungsten lights, and
by the position of the subject in relation to that light source, such as the
difference between photographing in the shade or open light. In addition, color
can also be influenced by the recording medium itself, be it film or digital,
and how the film is made or the digital image processor is programmed to change
the color during the recording processing.

...

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Posted: Jul 27, 2010 1 comments

Lens Effects

Light And Lenses, Plus A Unique Point Of View

by Jim Zuckerman

Lenses don’t interpret the world as our eyes do. The way light interacts with glass and with the metal blades of a lens aperture is different than how it interacts with our eyes, and it’s noteworthy to mention some of the effects thatc...

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Shutterbug Staff Posted: Aug 29, 2006 0 comments

Travel Package to Photokina

This
is the last call on a very special travel package to Photokina 2006, which takes
place toward the end of September. We always look forward to this amazing photographic
and imaging show for both a look at the latest and coming gear and some of the
best photographic exhibitions of the year. Photokina is notjust...

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Posted: Sep 25, 2007 0 comments

Malibu photo and painting in Corel Painter by Karen Sperling

Teaching theArt...

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Posted: Apr 28, 2009 0 comments

Exposure Diagnostics

The “Blinkies”

by George Schaub

When scene contrast is high there may be a danger of overexposure, particularly when you do not take care to read the highlight values to keep them well within the dynamic range capability of the sensor. When overexposure is extreme you lose detail in thesub...

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Posted: Oct 26, 2010 0 comments

November 2010

On The Cover
This month we’re shining a spotlight on lighting tools and techniques. We delve into LED lights, speedlights, macro ringlights, lighting accessories, and more. Lighting aside, Jon Canfield explores Adobe’s Lightroom 3 to see if it really is worth the upgrade. We also test HiTi’s PocketStudioprinter.

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Ron Leach Posted: Dec 11, 2006 0 comments

Industry Perspective

Reinventing The Lens



by Ron Leach

Innovation in the photographic industry has traditionally taken place at the
high end of the market. Manufacturers typically invest in research and development
to perfect new technologies that are unveiled in pro-oriented products before
"filterin...

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Posted: Dec 25, 2007 0 comments

The work space consists of two main windows, with variations on each available.
The main work space (goldenhour) gives you a configurable split screen that
quickly shows the before and after of each filter chosen. You can choose from
color or black and white filman...

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Posted: Jul 28, 2009 0 comments

Seeing Pictures: Negative Space

What’s Not There

by Jim Zuckerman

The concept of negative space has to do with compositional balance. Negative space simply means an area of an image that is largely devoid of subject matter. In other words, it’s a blank area like the sky, an expanse of plaster, the surface of a...

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Jon Canfield Posted: Aug 30, 2005 0 comments

All Photos © 2004, Jon Canfield, All Rights Reserved

...

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