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Filed under
Posted: Aug 28, 2007 2 comments

Online Photo Printing Services are Booming

By Ron Leach

A new report from InfoTrends indicates an increased growth in the use of online
photo printing services, resulting in surging revenues for web-based print providers.
According to the Weymouth, MA-based market research and consulting firm, online
photo serviceprovider...

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Posted: Mar 31, 2009 0 comments

Test Report

Tamron SP AF10-24mm f/3.5-4.5 DiII LD Aspherical (IF) Super Wide, Lightweight Zoom

by George Schaub

There was time when those seeking super-wide lenses for APS-C size sensor cameras didn’t have much choice, but new light gathering systems that distribute light evenly from lens to sensor, as well as new...

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Posted: Sep 28, 2010 0 comments

Industry Perspective

“A Shocking Betrayal”

by Ron Leach

In what a Marquette University Professor deems a “shocking betrayal,” it seems that
famed civil rights photographer Ernest Withers was a paid FBI informant at the same
time he befriended high-ranking civil rightslead...

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Peter K. Burian Posted: Jun 07, 2005 0 comments

Until recently, few digital camera owners were able to make true wide angle
images because a 38mm focal length was the shortest available in built-in zooms.
(All focal lengths are discussed in 35mm format equivalent.) Today, an increasing
number of digicams include zooms that start at 28mm or even 24mm. Many of the
high-end cameras also accept 0.7x adapters, ideal for ultra wide angle photography.
And SLR system lens manufacturers have also started making incredibly short
zooms, such as 12-24mm, for a very wide angle of view. All of this is great
news for creative shooters who want to expand their visual horizons.


Most camera owners think of a wide angle lens as something that's
useful for including an entire landscape vista, street scene,
or a large group of people, in a single image. While that is one
valid reason for owning a wide angle lens, or a wide angle adapter
accessory, there are many others as discussed in the text. (28mm
equivalent.) Photo © 2005 Peter K. Burian.

...

Filed under
Posted: Aug 29, 2006 0 comments

World-Renowned Photographer Kevin Ames Set to Teach Nationwide Pro
Digital Workflow Seminar Series Presented by Blue Pixel

Attendees Will Benefit Greatly from Hearing Valuable Secrets of Professional
Digital Imaging Workflow First-Hand

Still trying to strike the balance of efficient digital photography workflow
and ending up withhigh-qu...

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Posted: Nov 27, 2007 0 comments

17-70mm
Filed under
Posted: Jun 30, 2009 0 comments

Equivalent Exposure

by George Schaub

Now we come to how ISO, aperture, and shutter speed relate to one another. They exist to balance the amount of light in the scene with the recording made by the sensor and ultimately made into an image file on the memory card. Your goal is to record the scene with as true and balanced a color and lightnessof...

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Posted: Feb 01, 2011 0 comments

February 2011

On The Cover
This month we have exclusive reports from photokina, the worldwide photo trade show. While we couldn’t cover all of the new products and innovations displayed at photokina, we did bring you the 2011 product highlights in cameras, lenses, lighting, tripods, accessories, and bags. Plus, we take a look atwhat&rsqu...

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George Schaub Posted: Sep 27, 2005 0 comments

The
Sprint PCS Samsung Multimedia Phone MM-A800



Much ado has been made of late of how camera phones will gut the lower-end digicam
market and how everyone will dump their 1-3MP digicams for these amazing multimedia
products. Having shot with a sub 1-megapixel phone a year back I shrugged and
moved on, deciding it was a fun toy that some might find useful but that image
quality was poor, even when compared with the lowliest of blister-pack dedicated
cameras. Word has gotten around that new, higher-megapixel phonecams are coming,
with 7 MP being the figure touted on one model available now overseas. In addition,
we just got word that Kodak is finally going to release their EasyShare One,
subject of a press conference last January, which is said to be a camera first
and then a web or phone connecting pictuire sender second. With all that in
mind I was intrigued by the new Samsung 2MP camphone sent to us by the folks
at Sprint, one that links up with Sprint's PCS Picture mail service.

...

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Posted: Dec 12, 2006 0 comments

January
2007

On
the Cover


This month we're taking you directly to the show floor of photokina, the
giant photo and imaging show held in Cologne, Germany, every two years. As you'll
see,the...

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Posted: Apr 01, 2008 0 comments

April 2008

On
the Cover

This month our focus is on black and white photography--from capture
and conversion to processing and printing. We show you how to use film and digital
technologies togetherto...

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Posted: Oct 27, 2009 0 comments

In-Camera Monochrome Contrast Control

Get Film & Filter Looks With Your Digital Camera

by George Schaub

Although the images you create are in color (RGB) you also have the ability to create black and white images in your digital camera using the Monochrome “creative” or “picture style” setting.

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Jim Zuckerman Posted: Apr 26, 2011 0 comments

I was privileged to be able to photograph a champion Gypsy Vanner horse, Romeo, with a beautiful model in period costume. I chose late afternoon about an hour before sunset to take advantage of the spectacular backlighting on the blond mane, the tail, and the feathering around the feet. For this particular photo session, I wasn’t able to shoot Romeo in an open field, and the corral fence behind him (#1) bothered me at the time but there were no other options. I knew I wanted to separate my subjects from the background at a later point in time during post-processing, but what makes this breed of horse so beautiful—the long, flowing hair—is a nightmare to deal with in composite work.

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Howard Millard Posted: Jul 26, 2005 0 comments


The
original photo, shot in the studio with Paul C. Buff electronic
flash on Fujichrome Sensia slide film, is sharp throughout.
Model: Heidi McAllister.

Photos 2002, Howard Millard, All Rights Reserved

In ads, book covers and magazines,
you've seen pictures where part of the subject jumps out at you
because it's sharp, but most of the image is way out of focus. The
technique really directs your attention to the part of the subject that's
sharp, and it adds a contemporary flair and sense of style. Traditionally,
this effect was achieved by using extremely shallow depth of field with
a medium format or large view camera. Today, however, you can create it
digitally in a few minutes and apply it to any existing photo made with
any camera, or to any print that you can scan into your computer.



I
selected the area I want to keep sharp with the Elliptical
Marquee selection tool.

Remember, once you've drawn the selection, you can
reposition it by dragging inside the selected area. Next,
feather the selection.

...

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George Schaub Posted: Mar 27, 2007 0 comments

The Case for Center Weighted Metering

by George Schaub

While today's multi-pattern metering system found in most DSLRs are marvels
of technology, you'll notice that almost every DSLR also has other metering
pattern options. The two main options, with variants available on some cameras,
are center-weightedaver...

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