Newsletter

Sort By: Post Date | Title | Publish Date
Filed under
Posted: Feb 24, 2009 0 comments

Industry Perspective

Positive Outlook for Digital Camera Sales

by Ron Leach

Despite the dismal world-wide economic outlook, prospects for  continued growth in the digital camera market seems remarkably strong—especially as compared to predictions for other consumer-related industries. Recent data from theCamer...

Filed under
Posted: Oct 26, 2010 0 comments

Industry Perspective

The View From Germany

by Ron Leach

If the recently concluded Photokina is any indication, the photographic industry is alive
and well—with booming attendance on the part of exhibitors and visitors and an
impressive array of new product introductions. The 31st World ofImag...

Filed under
George Schaub Posted: Apr 25, 2006 0 comments

Digital Image Sensor Update



The Promise of Even Better Image Quality Ahead



by George Schaub

All the talk in the past was about megapixels, with the horserace of ever-higher
counts grabbing all the headlines. Some folks claim that the latest 6 and 8
MP cameras deliver such good quality at such low price points that themegapixe...

Filed under
Posted: Sep 25, 2007 0 comments

Shutter Lag



Or, Why We Don't Review Digicams

by George Schaub

We have gotten some letters from readers asking why we don't normally
review integral lens digital cameras, or what we call digicams. One reason is
that they come and go so quickly. It's not unusual for a digicam to be
on them...

Filed under
Posted: Nov 27, 2007 0 comments

Panoramics can be a fun way to depict locations. They broaden peripheral
vision while not sacrificing image information or gettingdistorti...
Filed under
Posted: Jun 30, 2009 0 comments

Get More Highlight And Shadow Detail

Using A D-SLR’s Dynamic Range Expansion Feature

by Peter K. Burian

In an ideal world, all digital photos would be technically perfect: well exposed and exhibiting detail in all areas including any bright segments, the mid-tones and in dark shadow areas. While that level ofdetail...

Filed under
George Schaub Posted: Dec 21, 2004 0 comments

There are many ways to work with monochrome images, including selective adjustment
of tonal values, contrast and even image color that can emulate toning. In this
installment of our Web How To's we'll play with colorization, adding
color to selective parts of a monochrome image that can make it look like a
combination hand-painted (with photo oils) and toned photograph. You can paint
in selectively with brush tools if you like, but this how-to deals with a more
simplified approach.

...

Filed under
Posted: Feb 22, 2011 0 comments

March 2011

On The Cover
Welcome to our wedding and portrait photography special, which features a host of articles on pro lighting, posing, marketing, and more. We also have expert tips on using flash in your photography, as we cover working with fill, off-camera, and strobe. Additionally, we have in-depth reports on three new softwareprograms...

Filed under
George Schaub Posted: Aug 29, 2006 0 comments

Airline Update

What About Cameras and Computers?

by George Schaub

The recent incidents in England have made for heightened awareness about airline
travel and questions about what can and cannot be carried on. The restrictions
are quite severe for travel to England and through trips connecting in Heathrow,
forexamp...

Filed under
Posted: Feb 26, 2008 0 comments

Digital Black and White

By George Schaub



When digital arrived it hardly seemed a scheme that would be any good for my
black and white photography. I now see it as an essential part of the way I
work. This required some translation and transition from film and chemical photography,
but it also required aredefinitio...

Filed under
Posted: Oct 27, 2009 0 comments

Slide Shows That Shine

Digital Makes It A Whole New Ball Game

by Jon Canfield

Creating slide shows used to be a time consuming task—getting the slides in the right order, making sure nothing was backwards or upside down in the slide tray (and not dropping the tray!), and setting up the screen and projector. And,let&...

Filed under
George Schaub Posted: Mar 29, 2005 0 comments

One of the reasons that many people are getting into making prints at home
these days is that inkjet prints are simpler to make and more permanent than,
in many cases, photographic prints (dye based projection, that is.) With recent
advances in ink and paper technology from companies such as Epson and HP we
now see the potential, given proper storage, of digital prints lasting more
than 100 years. Even snapshot size prints, according to Wilhelm Research, from
portable printers like the popular and relatively diminutive PictureMate from
Epson can last three generations or more. And most of the newer printers don't
even require the intermediary of the computer to make very good looking prints.

...

Filed under
Chuck Gloman Posted: May 31, 2011 0 comments

Backlight is light that comes from behind the subject, whether it’s an artificial source or the sun. In the following examples, I decided to use the sun as my only light source, placed behind the subjects and guided by reflectors both natural and man-made.

Filed under
George Schaub Posted: Jan 30, 2007 0 comments

What Happened to My Images ??!!



Corrupted Disks and Rescue Strategies

by George Schaub

I am not sure if it's happened to you, but it's happened to me.
After having spent an afternoon shooting with my digital camera everything suddenly
stopped. While the counter in my camera LED showed that I hadple...

Filed under
Posted: Jun 24, 2008 1 comments
...

Pages

X
Enter your Shutterbug username.
Enter the password that accompanies your username.
Loading