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Filed under
Posted: Aug 01, 2008 0 comments

August
2008

On
the Cover


This month we have a vast array of pro portrait lens options, everything from
wide to tele to mid-range. We also have field tests on some of the hottest optics
on the market:a...

Filed under
Posted: Mar 01, 2010 0 comments

March 2010

On The Cover
This month we’re here to help you edit, organize, and enhance your digital images. Our Test Reports reveal the incredible capabilities afforded by the latest image-editing software from a host of companies, including Adobe, ACDSee, Anthropics Technology, Auto FX Software, and Corel. We also have an in-depthr...

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George Schaub Posted: Jun 13, 2006 0 comments

To add a keyword in the Keyword HUD (which comes up with the keyboard shortcut
Shift-H) click on the plus/minus button on the far left and type in the keyword
required. This creates a main keyword. Here the keywording process gets started
by typing in "kids."

...
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Howard Millard Posted: Jun 26, 2007 0 comments


Learn how to shoot striking panoramas like this at Howard Millard's
DigitalPanorami...

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Posted: Nov 25, 2008 0 comments

December 2008

On the Cover
OK, be honest, how many times have you printed an image only to become frustrated that the print doesn’t match the image on screen? The answer is probably more times than you’d care to admit. But don’t worry, that frustration is a thing of the past as David Brooks shows you how to get great printsever...

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Posted: Jul 01, 2010 0 comments

July 2010

On The Cover
This month is our location and travel photography special. With summer around the corner, we’re here to help you make your best travel photos yet. Before you hit the road, be sure to check out Joe Farace’s report on all-terrain “rugged” digicams; you’ll be amazed at how affordable andf...

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Grace Schaub Posted: Feb 28, 2006 0 comments

A Special Report from the PMA Show

Digital Image Sensor Update



The Promise of Even Better Image Quality Ahead

by George Schaub



In light of recent developments, and with products unveiled here at PMA, it's
clear that manufacturers are aiming their efforts at bringing outcameras...

Filed under
Posted: Oct 01, 2007 0 comments

October
2007

On
the Cover


Welcome to our how-to special on lighting. This month we explore on-camera,
tabletop, and studio strobes, and provide insider reports on pro flash tips
and gear. We also have...

Filed under
Posted: Sep 28, 2010 0 comments

Telling A Story With Your Pictures

Taking Your Audience Along

by Jim Zuckerman

There are many reasons why people travel. Some like the spirit of adventure and discovery, and others enjoy intermingling with people from other cultures and seeing the world from a different point of view. There are people who travel to sellt...

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George Schaub Posted: Aug 29, 2006 0 comments

Black and White Imaging: Ilford's Perspective

by George Schaub

Given that we all have seen a shrinking in silver-based materials in general
in the last year, and in light of Kodak exiting the black and white paper business,
and Agfa leaving the black and white (and all photo) business altogether, we
were all leftwo...

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Posted: Oct 30, 2007 0 comments

November
2007

On
the Cover


This month take your images to the next level with a multitude of hot pro tips
and new pro gear reviews. Our special report on the pros and cons of pixel packing
answerswhet...

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Posted: Jul 01, 2009 0 comments

July 2009

On The Cover
Welcome to our mid-year photo gear roundup, featuring the newest products from the top US photo trade show, PMA (Photo Marketing Association). We assembled a team of reporters to cover the show to bring you the latest and greatest gear coming your way in 2009. You’ll notice the theme of our coverage isaccessor...

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Posted: Dec 28, 2010 0 comments

In-Camera Monochrome Contrast Control

Get Film & Filter Looks With Your Digital Camera

by George Schaub

Although the images you create are in color (RGB) you also have the ability to create black and white images in your digital camera using the Monochrome “creative” or “picture style”setting.

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Howard Millard Posted: Sep 27, 2005 0 comments


To
achieve the eerie, glowing effect of infrared black and
white film, I applied several techniques in Adobe Photoshop.

Photos © 2001, Howard Millard, All Rights Reserved

Are you attracted to the
mysterious, otherworldly glow of black and white infrared film? But
you've heard that it's a bit of a hassle to shoot and print.
Well, here's how to emulate that exotic infrared (IR) look digitally
starting with any color original.



Why not shoot IR film to begin with? Kodak High Speed Infrared film
is a challenge. First, to avoid fogging, it should be stored in the
refrigerator and must be loaded and unloaded in the darkroom or a changing
bag. Then, for the best effect, you must shoot with a deep red or opaque
filter over your lens. Once you've focused, you must re-focus
the lens manually to the infrared focus point. Since your camera meter
doesn't measure IR light, it's advisable to bracket exposures
widely. In the field, you must load and reload your camera in a light-tight
changing bag. After the film has been processed, the negatives are extremely
contrasty and often require extensive dodging and burning to get a good
print.



I
started with this original color 35mm slide shot on Fuji Sensia
II and scanned it on a Polaroid Sprintscan 35 Plus scanner
at 2700dpi for a 26MB file.

...

Filed under
Ron Eggers Posted: Dec 26, 2006 0 comments


The Topaz A2, which powers the Ringflash, is a full-size power pack
with 1600 ws output that features symmetrical/asymmetricalp...

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