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Steve Anchell Posted: Jan 31, 2006 0 comments

All...

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Posted: Aug 28, 2007 0 comments

Photographer/Publisher Andrew Hudson teaches "Successful Self-Publishing"
at Sundance Photographic Workshop
November 8-12th session helps students create `coffee-table' photo
books




Sundance, Utah, July 27, 2007 -- Awarding-winning photographer and accomplished
self-publisher Andrew Hudson will share thesecre...

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Posted: Feb 24, 2009 0 comments

Industry Perspective

Positive Outlook for Digital Camera Sales

by Ron Leach

Despite the dismal world-wide economic outlook, prospects for  continued growth in the digital camera market seems remarkably strong—especially as compared to predictions for other consumer-related industries. Recent data from theCamer...

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Posted: Sep 28, 2010 0 comments

October 2010

On The Cover
Welcome to our annual imaging software update issue. We explore all the latest imaging software has to offer, from calibration to retouching to special effects. In addition, we have a Test Report special on super potent photo plug-ins. We also have reports on Sony’s NEX-3, a compact system camera, andEpson...

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George Schaub Posted: Jan 18, 2005 0 comments

There are times when you want your color to exactly match what's in the
scene, but for the most part color is a fairly subjective matter that can be
tweaked with ease in just about any image-editing program. Color has a hue--like
yellow, green or blue--as well as a vividness, which in photography is
often called its saturation. In addition, color can have a cast, which is influenced
by the prevailing lighting conditions when we make the photograph. That cast
can be influenced by the light source itself, such as photographing under direct
sun versus what we'd get when photographing under tungsten lights, and
by the position of the subject in relation to that light source, such as the
difference between photographing in the shade or open light. In addition, color
can also be influenced by the recording medium itself, be it film or digital,
and how the film is made or the digital image processor is programmed to change
the color during the recording processing.

...

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Shutterbug Staff Posted: Aug 29, 2006 0 comments

Travel Package to Photokina

This
is the last call on a very special travel package to Photokina 2006, which takes
place toward the end of September. We always look forward to this amazing photographic
and imaging show for both a look at the latest and coming gear and some of the
best photographic exhibitions of the year. Photokina is notjust...

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Posted: Jun 03, 2009 0 comments

The Panasonic TZ7 creates images with a nearly perfect saturation of 101.3%. The automatic white balance showed an ambivalent behavior: Darker neutral grays are shifted into the blue and magenta areas, the brighter gray fields have a tendency to be more apparent in yellow areas.

Sharpness:
The camera offers a nominal resolution of...

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Posted: Dec 28, 2010 0 comments

The Mysteries Of Long Exposure

Expand Your Image Imagination

by Art Rosch

The human eye sees light in the moment. Film or sensors accumulate light through an entire exposure, as if it were a memory. Photons continue making impressions wherever they land on the sensor or film. Moving objects leave a distended,
time-lapse...

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George Schaub Posted: Jun 07, 2005 0 comments

The digital darkroom has made it simple to accomplish print and image effects
that would have taken hours in the chemical darkroom environment. While the
learning curve can be steep (as it certainly was for the chemical darkroom,
at least if you wanted good results) the ease with which some tasks can be accomplished
is almost...well, embarrassing, at least to those who once labored in the
amber-lit confines of the darkroom.

...

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Posted: Nov 28, 2006 2 comments


Epson 3800

Well, it seems Epson heard this, and while the 4800 is stillavaila...

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Posted: Feb 26, 2008 0 comments

March 2008

On
the Cover

This month our focus is on black and white photography--from capture
and conversion to processing and printing. We show you how to use film and digital
technologiestoge...

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Posted: Sep 29, 2009 0 comments

Pro Essay

Hands-On Exposure Control

Creative Metering For Expressive Results

by Ibarionex R. Perello

When I began as a photographer, my biggest concern with metering was having an image that just “came out.” That simply meant that the exposure was accurate and the image wasn’t severelyunde...

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Posted: Mar 29, 2011 0 comments

Digital Print Display

Best Practices For Mounting, Matting & Framing

by Jon Canfield

After all the effort you’ve made to take a great photo and make a beautiful print, you want it to have immediate impact on the viewer. Whether it will hang in your home or if you’re planning to enter it into a competitiono...

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Jon Canfield Posted: Aug 30, 2005 0 comments

All Photos © 2004, Jon Canfield, All Rights Reserved

...

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Posted: Feb 27, 2007 0 comments

Filters and Digital SLRs: Why Color Controls Might Make Most Filters
Obsolete

by George Schaub

I used to own a suitcase filled with filters. I had screw-on filters and compendium
types, the holders that would take slide-in filters with adapters for a variety
of lens diameters. I would use filters to enhance color,compen...

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