Newsletter

Sort By: Post Date | Title | Publish Date
Filed under
Peter K. Burian Posted: Jun 07, 2005 0 comments

Until recently, few digital camera owners were able to make true wide angle
images because a 38mm focal length was the shortest available in built-in zooms.
(All focal lengths are discussed in 35mm format equivalent.) Today, an increasing
number of digicams include zooms that start at 28mm or even 24mm. Many of the
high-end cameras also accept 0.7x adapters, ideal for ultra wide angle photography.
And SLR system lens manufacturers have also started making incredibly short
zooms, such as 12-24mm, for a very wide angle of view. All of this is great
news for creative shooters who want to expand their visual horizons.


Most camera owners think of a wide angle lens as something that's
useful for including an entire landscape vista, street scene,
or a large group of people, in a single image. While that is one
valid reason for owning a wide angle lens, or a wide angle adapter
accessory, there are many others as discussed in the text. (28mm
equivalent.) Photo © 2005 Peter K. Burian.

...

Filed under
Posted: Aug 29, 2006 0 comments

World-Renowned Photographer Kevin Ames Set to Teach Nationwide Pro
Digital Workflow Seminar Series Presented by Blue Pixel

Attendees Will Benefit Greatly from Hearing Valuable Secrets of Professional
Digital Imaging Workflow First-Hand

Still trying to strike the balance of efficient digital photography workflow
and ending up withhigh-qu...

Filed under
Posted: May 29, 2008 0 comments





Hubble Photos: When Galaxies Collide

By Ron Leach

For most of us, the term "photography" brings to mind topics like
portraiture, wildlife, sports, macro, landscapes, journalism and other genres
popular with professional photographers and passionate hobbyists alike. Science
and industry, of coursecompri...

Filed under
Posted: Dec 29, 2009 0 comments

Digital Photography In Black And White

Seeing In Grayscale Tones

by George Schaub

Somehow, we accept black and white as quite natural, as a fair and reasonable representation of what we have photographed. But it is hardly that—the world is filled with color in all its hue and shades, from the brilliant azure blue of...

Filed under
Chuck Gloman Posted: Apr 26, 2011 0 comments

When fighting with the sun, your flash might not be powerful enough to fill in the deep shadows created by that large key light in the sky. Luckily, we have help in the form of reflectors which send almost all of the reflected light onto the subject. I will be referring to two types of reflectors here: the Flexfill (and its variations) and reflective (silver-sided) foam core.

Filed under
George Schaub Posted: Sep 27, 2005 0 comments

The
Sprint PCS Samsung Multimedia Phone MM-A800



Much ado has been made of late of how camera phones will gut the lower-end digicam
market and how everyone will dump their 1-3MP digicams for these amazing multimedia
products. Having shot with a sub 1-megapixel phone a year back I shrugged and
moved on, deciding it was a fun toy that some might find useful but that image
quality was poor, even when compared with the lowliest of blister-pack dedicated
cameras. Word has gotten around that new, higher-megapixel phonecams are coming,
with 7 MP being the figure touted on one model available now overseas. In addition,
we just got word that Kodak is finally going to release their EasyShare One,
subject of a press conference last January, which is said to be a camera first
and then a web or phone connecting pictuire sender second. With all that in
mind I was intrigued by the new Samsung 2MP camphone sent to us by the folks
at Sprint, one that links up with Sprint's PCS Picture mail service.

...

Filed under
Posted: Aug 26, 2008 0 comments

Lens Tech Update



Is This the World's Longest Range Zoom?

by George Schaub

Not
so far back photographers were leery of zoom lenses that exceeded a 3x focal
length ratio; in other words, say you started at 70mm, then a 210mm outer range
would be considered "safe." (Indeed even further backphotograph...

Filed under
Posted: Mar 30, 2010 1 comments

Macro Vs. Macro Zoom

Know The Difference

by Jon Sienkiewicz

Every hobby has its own language, and photography is no different. It can take a while to learn all of the unintuitive abbreviations, unnatural acronyms, and shifting definitions. The term “shifting definition” refers to words like“automatic&rdq...

Filed under
George Schaub Posted: May 24, 2005 0 comments

While the usual photographic rules, such as using shutter speed to portray motion
(slow to blur, fast to freeze) and using focal length, aperture and camera-to-subject
distance to create a certain depth of field apply to both film and digital photography,
digital offers some intriguing options for making camera settings. In some cases
these settings relate to film photography settings, or choosing a specific film
for its "personality", but with digital you can alter these settings
on every frame you shoot and not be restricted to the attributes of a particular
film you might have loaded in the camera.

...

Filed under
Posted: Feb 27, 2007 0 comments

Getting Into Infrared: Another Point of View

by George Schaub

The wonderful thing about photography is that it allows for virtually every
point of view and ability to render the visual world in any fashion you desire.
It can range from "straight" reportage and documentation to the
most fancifulinterpretation...

Filed under
Posted: Dec 30, 2008 0 comments

Digital SLRs on the Upswing

by Ron Leach

A comprehensive new study from InfoTrends indicates that while the digital camera market is reaching a “mature stage” in it’s lifecycle, digital SLRs have emerged as an area of rapid growth within the industry while point-and-shoot cameras are heading toward commodity status withconstant...

Filed under
Posted: Jul 27, 2010 0 comments

Super High Contrast And “Tripod-Less” HDR

High-Speed Brackets

by George Schaub

HDR stands for “High Dynamic Range”, which means that there are times when one exposure can not possibly capture the very wide range of light values in a scene. The eye compensates for high contrast by opening andclosing...

Filed under
Jon Sienkiewicz Posted: Dec 27, 2005 0 comments

Image Editing With Paint Shop Pro 9

A Software With Its Own Approach And Style

Text And Photography By Jon Sienkiewicz

For
certain tasks, Paint Shop Pro 9 produces results faster and easier than other
products in its category. For novices, or for those among us who haven't
mastered all ofth...

Filed under
George Schaub Posted: May 08, 2007 0 comments

The versatility of the Tamron 18-250mm lens is evident in both close
focusing and when gathering in distant subjects. The crisp edges...
Filed under
Posted: Sep 20, 2007 0 comments

Industry Perspective

Turning Your Hobby Into Cash

By Ron Leach

While all Shutterbug readers are serious about imaging, some consider photography
a career while others shoot for the pure pleasure of the creative process. We
regularly hear from a third type of photographer: photo enthusiasts whodon&...

Pages

X
Enter your Shutterbug username.
Enter the password that accompanies your username.
Loading