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Posted: Jan 17, 2007 0 comments


Portrait, © 2006 Howard Millard, All Rights Reserved

Longtime Shutterbugco...

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Ron Leach Posted: May 31, 2011 0 comments
While browsing through my archives recently, I rediscovered a fascinating 1944 magazine piece in which several artists, photographers and educators offered their views and expectations of photography after World War II. The article, which appeared in Popular Photography, gave new meaning to the famous Winston Churchill quote “The farther backward you can look, the farther forward you are likely to see.”
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Posted: Aug 26, 2008 0 comments

Lens Tech Update



Is This the World's Longest Range Zoom?

by George Schaub

Not
so far back photographers were leery of zoom lenses that exceeded a 3x focal
length ratio; in other words, say you started at 70mm, then a 210mm outer range
would be considered "safe." (Indeed even further backphotograph...

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Ron Leach Posted: Mar 27, 2007 0 comments

Innovative Digital Products

by Ron Leach

We just returned from Las Vegas after attending this year's PMA International
Convention and Tradeshow, and one of the highlights of the event for those of
us in the media is the "Sneak Peak" that takes place on the afternoon
before the convention opens. Thisinf...

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Posted: Dec 30, 2008 0 comments

The Technique Behind the Picture This! Assignment

Threshhold Command is the Key to Graphic “B&W Only” Look

by George Schaub

Every month Shutterbug brings a Picture This! Assignment to readers, which creates a theme and requests readers send in images to match it. The January, 2009 issue of Shutterbug saw thepublic...

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Ron Leach Posted: Jun 27, 2006 0 comments

Shutterbug Unveils Gold Member Program



By Ron Leach, Publisher

Those of you who are regular readers of Shutterbug and visitors to shutterbug.com
know that our magazine and website offer more than comprehensive product reviews
and in-depth instructional tutorials for advanced amateur and professional photographers.
While our primary...

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Posted: Jun 29, 2010 0 comments

Industry Perspective

The Effects of Imagery on the Human Psyche

by Ron Leach

With the tragic social and environmental disaster in the Gulf of Mexico we are once
again reminded of the profound power of photography to rouse support for social causes
like the environment, and motivate people torespon...

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George Schaub Posted: Jun 26, 2007 0 comments

The III also sports a new Raw option, dubbed sRAW, which is 2.5 megapixels
in size and half the file size of "regular" Raw images. The advantage,
claims Canon, is that sRAW images can be processed just like any Raw image but
stored in at a smaller size. This is perfect, they say, for wedding candid photographers
who want Raw post-exposurepr...

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Posted: Sep 25, 2007 0 comments
...

© Martha Rial/Pittsburgh Post-Gazette, All RIghts Reserved
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Posted: May 01, 2009 0 comments

May 2009

On The Cover
This month we share the gear and tips you’ll need to make great photos during your travels. For example, we tell you the six handy accessories to pack before hitting the road. We also have a “geotagging” update on the devices and software you need so you’ll always know where you took thoseshot...

Howard Millard Posted: Jan 31, 2006 0 comments


The fast, streamlined Minolta DiMAGE Scan Elite 5400 scans...

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Posted: Sep 25, 2007 0 comments

John Paul Caponigro and Mac Holbert To Host



Encore "Fine Art of Digital Printing" Workshop




Epson America Inc. has announced that John Paul Caponigro and Mac Holbert, two
of the pre-eminent leaders in digital photography and fine art printing, are
joining forces to conduct the "Fine Art of DigitalPrinting"...

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Posted: Oct 26, 2010 0 comments

Industry Perspective

The View From Germany

by Ron Leach

If the recently concluded Photokina is any indication, the photographic industry is alive
and well—with booming attendance on the part of exhibitors and visitors and an
impressive array of new product introductions. The 31st World ofImag...

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Posted: Nov 28, 2007 0 comments

January
2008

On
the Cover


This month we explore the fine art photo market and reveal if you can get into
the game. To provide further inspiration, we have a revealing interview with
fine artmas...

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Howard Millard Posted: Oct 25, 2005 0 comments

Could your portraits be enhanced
by the mysterious, otherworldly glow of a black and white infrared (IR) effect?
In the past, pre-digital darkroom, the only way you could get the IR look was
shooting special IR film, quite a challenge to expose, process, and print correctly.
Working digitally you can avoid many of the pitfalls and gain much more control
in the bargain. Here's how to emulate that exotic infrared look digitally:




You can start with a scan of any color slide, print, or negative you've
shot with your film camera or, even easier, with a color file from your digital
camera. If you're starting with a print, negative, or slide, scan it in
RGB color mode. Once you've got the digital file, open it in Adobe Photoshop
CS (or some earlier versions) to follow the steps outlined here. You can also
achieve the effect with Adobe Elements 2 or other advanced image-editing programs,
but the names of some tools or dialog boxes may be slightly different. Always
work on a copy to preserve your original scan. In fact, with this technique,
it is a good idea to make two or three copies in order to try different settings
in search of the effect you like best. Just follow these steps and you'll
be on your way to easy IR.

1.
I began with this original color file shot in Raw mode with a
Canon Digital Rebel 6-megapixel digital SLR with a Canon 18-55mm
lens at 55mm (equivalent to a 90mm lens in 35mm format). File
size: 18MB. (Model: Riley Messina.)

...

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