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Filed under
Posted: Mar 14, 2006 0 comments

April
2006

On the
Cover

Ever
wonder what's inside a pro's camera bag? Well, wonder no more as
we look in four topw...

Filed under
Posted: Jul 31, 2007 0 comments

Pictures as Pork Chops

by George Schaub

The head for this column comes from a statement by Bob Schwalberg, the irascible
senior editor of Pop Photo from back in the eighties who, when describing the
state of affairs for pros selling stock, told me, "Pictures are not pork
chops to be sold by the pound." He was...

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Posted: Dec 30, 2008 0 comments

Digital SLRs on the Upswing

by Ron Leach

A comprehensive new study from InfoTrends indicates that while the digital camera market is reaching a “mature stage” in it’s lifecycle, digital SLRs have emerged as an area of rapid growth within the industry while point-and-shoot cameras are heading toward commodity status withconstant...

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Posted: Jul 27, 2010 0 comments

Super High Contrast And “Tripod-Less” HDR

High-Speed Brackets

by George Schaub

HDR stands for “High Dynamic Range”, which means that there are times when one exposure can not possibly capture the very wide range of light values in a scene. The eye compensates for high contrast by opening andclosing...

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George Schaub Posted: Jun 27, 2006 0 comments

Photokina's New Look

by George Schaub

Professional and avid photographers looking to travel to Cologne, Germany will
notice some changes when they prepare for their trip to photokina 2006, Sept.
26 -- Oct. 1, 2006 in Cologne, Germany. Photokina veterans should quickly
forget about the previous hall numbersystem...

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Posted: May 01, 2009 0 comments

May 2009

On The Cover
This month we share the gear and tips you’ll need to make great photos during your travels. For example, we tell you the six handy accessories to pack before hitting the road. We also have a “geotagging” update on the devices and software you need so you’ll always know where you took thoseshot...

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Posted: Oct 26, 2010 0 comments

Think Negative

The Positive Power Of The Inverse Command

by Howard Millard

Since we were toddlers, we’ve all been told to think positive. I guess that in most situations that will serve you well. But photographically, you may want to ignore that advice. If you’re not entirely pleased with your latest picture...

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Howard Millard Posted: Jul 26, 2005 0 comments

1.

It was the swinging `60s,
I was in college, and many wore a rainbow of tie-dyed colors. What had
been "normal" was being challenged on every front, and that
included photography. The bulging, startling perspective of the fisheye
lens added an otherworldly look to album covers for rock musicians like
Jimi Hendrix and Cream. Now, decades later, just as bell bottom pants
recently returned for yet another cycle, fisheye images have again reared
their heads in both print and television ads. A fisheye lens, of course,
is one that takes in an extremely wide angle of view, often 180º,
and appears as a circle within the black image frame. Yes, there are rectilinear
full frame fisheyes (which give a rectangular, not round image), but to
my mind, they're merely ultra-wide angle lenses. A true fisheye,
on the other hand, is a unique special effects tool which renders a unique
circular perspective of the world.



When I was a student, fisheye lenses cost a small fortune (some still
do). What to do? I drilled a hole in the center of a lens cap and glued
a brass door peephole from a hardware store to it. Snapping the lens cap/fisheye
lens over a 50mm or wider angle standard lens, I got a small 180º
circular fisheye image in the center of the black frame. Quality was not
great, but the effect was spectacular.

...

Filed under
Posted: Sep 01, 2006 0 comments

September
2006

On the
Cover


How effective are the latest camera-shake compensating systems? Wonder no more
as we tell all in Peter K. Burian's in-depth Anti-Shake camera shootout
on page 80. New...

Filed under
Posted: Nov 28, 2007 0 comments

January
2008

On
the Cover


This month we explore the fine art photo market and reveal if you can get into
the game. To provide further inspiration, we have a revealing interview with
fine artmas...

Filed under
Posted: Jul 28, 2009 0 comments

Exposure Basics II

by George Schaub

Now we come to how exposure and creative photography go hand in hand.

Why would you need to change the aperture or shutter speed under different lighting conditions? Why would you want to use a fast shutter speed for one shot and a slow one for another? Why change apertures or ISO?

Filed under
Posted: Jan 25, 2011 0 comments

Industry Perspective

Is This the Camera Platform of the Future?

by Ron Leach

Industry expositions like the recently concluded Consumer Electronics Show are exciting for consumers as well as for those of us on the "inside" because they often provide a venue for the unveiling of innovative hardware and softwaretha...

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Jon Canfield Posted: Aug 30, 2005 0 comments

As the price of wide format photo printers like the ones offered by Epson,
Canon, and HP continues to come down, more and more digital photo enthusiasts
are adding them to their digital darkrooms. For less than $400, you can now
print photo quality 11x14" images (actually, up to 13x19), saving money
and time without sending these prints out to a photo lab.

...

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Shutterbug Staff Posted: Jan 30, 2007 0 comments

Blue Pixel's Pro Digital Workflow Seminars are the Perfect Complement
to Digital SLR Holiday Gifts

Professional Photographers and High-Level Amateurs Will Learn to Maximize
Digital Workflow with the Fewest Steps




Excited
to use your new digital SLR camera, but confused about where to start? Learn
how toge...

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