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Roger W. Hicks Jan 01, 2009 1 comments

As ever, medium format—hereafter MF—ranged from the sublime to the ridiculous. For sublime, it’s hard to beat the new 50-megapixel Hasselblad or the 37.5-megapixel Leica S2, or possibly the Rollei/Sinar/Leaf Hy6, built by Franke & Heidecke (with their new option of a 6x6cm rollfilm back). As for ridiculous, well, I know I’ll get hate mail from Holga owners, but...

Peter K. Burian Jan 01, 2009 0 comments

As the price of D-SLRs and high-resolution digicams drops to more affordable levels, an increasing number of families and serious photo enthusiasts want a better photo printer. We found lots of new machines at the photokina show, some with high-tech features such as Wi-Fi and Ethernet compatibility. Lack of space precludes coverage of every new product, but the following printers are worth...

Accessories, Show Reports
Peter K. Burian Jan 01, 2009 0 comments

Because of the increasing resolution and burst speed of some new cameras, the capacity and speed of memory cards continues to increase. While a super-fast card cannot boost a camera’s maximum framing rate, the extra card speed can provide greater burst depth (more frames in a long series) and shorter data recording times. A high-speed card is also ideal after a long trip, when you’re...

Jack Neubart Jan 01, 2009 0 comments

Studio lighting comes in all shapes and sizes, and the lights that are new to photokina certainly support that contention. Our primary focus here is on strobe lighting, but that includes a mix of monolights and power packs (generators), and select flash heads that attach to these generators. If we can see any trend in studio strobes it is the increasing reliance on electronic components and...

Accessories, Show Reports
Peter K. Burian Jan 01, 2009 0 comments

Whether you own a 35mm or digital SLR camera, a dedicated external flash unit can be a valuable accessory. Not many new models were unveiled at photokina, and three of the four were macro ringlights. These have been gaining in popularity for extra lighting in extreme close-up photography of products, nature subjects, and medical/dental applications, but they can also be useful for some...

Accessories, Show Reports
Roger W. Hicks Jan 01, 2009 1 comments

One of the great pleasures of photokina is finding really brilliant new accessories. Some are completely unexpected. Others, you’ve wanted for years but have never been able to find—often because until now, the technology needed to build them has not been available.

A shining example (literally) of the latter, and the accessory hit of the show as far as I am concerned...

Accessories, Show Reports
Frances E. Schultz Jan 01, 2009 1 comments

At photokina 2008, there was (as usual) an extraordinary range of camera supports. So many in fact that a “laundry list” of new introductions could easily fill the whole magazine. This prompted me to think hard about what to look for in a camera support. It seemed to me there are three things: three legs, if you like. What you need; what you want; and what you can afford. You may care...

Frances E. Schultz Jan 01, 2009 0 comments

At two very well-attended open forums, Kodak asked the all-important question: “What’s film got to do with it?” The answer, given by four top professionals (Amy Postle, Pep Bonet, Det Kempe, and Eddie Soloway), cheered on by large audiences, turned out to be “A lot more than you might think.”

I forget which of them first said, “I use digital...

Accessories, Show Reports
Roger W. Hicks ... Jan 01, 2009 1 comments

Every photokina, we are assigned a category that for want of a better term we call “weird and wonderful.” It’s stuff that doesn’t easily fit into any other category, or differs so much from the mass of its competitors that it deserves special mention.

Some products are just bizarre: we’ll come to what we thought was the most bizarre trend at the end...

Accessories, Show Reports
Robert E. Mayer Jun 01, 2008 0 comments

In order to organize and conveniently display your favorite pictures of family, friends, pets, and travel, you need albums. There were many sizes and shapes on display with a host of color variations, textures, and themes. For those precious few images worthy of even more prominent display, there were lots of frames for single or multiple images.

There were also...

Accessories, Show Reports
Jack Neubart Jun 01, 2008 0 comments

While camera bags often aim for functionality over style, there were several shoulder bags shown this year that had fashion chic paramount in their design, and a number of them aimed at the female photo enthusiast. Still, the photo backpack seemed to dominate when it came to functionality and innovative design, including two combo packs targeting the hard-core backpacker or...

Accessories, Show Reports
Robert E. Mayer Jun 01, 2008 0 comments

Nearly every picture-taking device today is electronic in operation so the need for a reliable battery is imperative. Some digital cameras use specialized rechargeable batteries while compact models often still rely on standard AA- or AAA-size batteries. The latter tend to hog the battery power, especially when flash pictures are made. Because of this there were lots of battery...

Shutterbug Staff Jun 01, 2008 0 comments

As part of our annual Photo Marketing Association (PMA) coverage we ask our reporters to deliver a "Best of Show" award. While each contributor had their own beat, we also asked them to go beyond their respective area of coverage to find what, for them, signified a breakthrough product, technology, or new trend that they felt would affect all photographers in the...

Jon Canfield Jun 01, 2008 0 comments

Color management isn't one of those topics that tend to get the heart racing with excitement, although the lack of it has probably caused more than a few panic attacks. We've seen steady improvements in color calibration hardware and software over the past few years and it's clear that color management is becoming much more mainstream than ever as digital...

Peter K. Burian Jun 01, 2008 0 comments

Although the D-SLR category is growing more rapidly, digicams with integral lenses still outsell the larger cameras by roughly 10 to 1. That's primarily because of the lower price and particularly the greater portability. Even the most serious photographer usually wants a pocket-size camera--with built-in lens and flash--that they can carry most anywhere.
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