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Peter K. Burian Posted: Jan 01, 2009 1 comments

The primary emphasis was on D-SLRs during the photokina 2008 show, but many new digicams with integral lenses were introduced, including some inexpensive models strictly for quick snapshooting. While those may find eager buyers, I’ll concentrate on cameras intended for the photo enthusiast. In these categories, only a few trends became obvious, starting with resolution: 13- and 14-megapixel...

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Jack Neubart Posted: Jan 01, 2009 0 comments

Digital photo frames at photokina were riding the tide of increasing popularity, with wireless technological support in the driver’s seat. Manufacturers are trying to make them more utilitarian, so these digital frames don’t just sit there when not in use. Whatever you say about them, they’re always fashionable, competing with traditional frames for attention, and they make a...

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Peter K. Burian Posted: Jan 01, 2009 0 comments

With the growing popularity of D-SLR cameras with sensors of various sizes, most of the manufacturers are working to expand their line of lenses. As expected, many of the latest products are “digital only”: designed for the majority of D-SLRs with the APS-C or Four Thirds size sensor. But (as specified in the text), some are multi-platform products suitable for all 35mm and digital...

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Frances E. Schultz Posted: Jan 01, 2009 1 comments

At photokina 2008, there was (as usual) an extraordinary range of camera supports. So many in fact that a “laundry list” of new introductions could easily fill the whole magazine. This prompted me to think hard about what to look for in a camera support. It seemed to me there are three things: three legs, if you like. What you need; what you want; and what you can afford. You may care...

Jack Neubart Posted: Jan 01, 2009 0 comments

Studio lighting comes in all shapes and sizes, and the lights that are new to photokina certainly support that contention. Our primary focus here is on strobe lighting, but that includes a mix of monolights and power packs (generators), and select flash heads that attach to these generators. If we can see any trend in studio strobes it is the increasing reliance on electronic components and...

Roger W. Hicks Posted: Jan 01, 2009 1 comments

As ever, medium format—hereafter MF—ranged from the sublime to the ridiculous. For sublime, it’s hard to beat the new 50-megapixel Hasselblad or the 37.5-megapixel Leica S2, or possibly the Rollei/Sinar/Leaf Hy6, built by Franke & Heidecke (with their new option of a 6x6cm rollfilm back). As for ridiculous, well, I know I’ll get hate mail from Holga owners, but...

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Frances E. Schultz Posted: Jan 01, 2009 1 comments

Charge!
You can now charge your electronic devices while you are on the move. The G24i solar panel was developed for MIA (Mascotte Industrial Associates) by Gcell and has so far been incorporated in a backpack, a laptop bag, a camouflage bag, and even a tennis bag. It is lightweight and flexible, not too sensitive to the angle of the light, has a high energy output, and...

Roger W. Hicks Posted: Jan 01, 2009 1 comments

When it came to rangefinders, Leica completely stole the show: Zeiss and Voigtländer had only one new product each. Admittedly they were interesting—an 85mm f/4 Tele-Tessar in Leica M-compatible ZM mount and a dual-format rangefinder folder, the Bessa III—but they were somewhat eclipsed by Leica’s four new lenses and the revised M8.2 camera body.

The item...

Frances E. Schultz Posted: Jan 01, 2009 0 comments

At two very well-attended open forums, Kodak asked the all-important question: “What’s film got to do with it?” The answer, given by four top professionals (Amy Postle, Pep Bonet, Det Kempe, and Eddie Soloway), cheered on by large audiences, turned out to be “A lot more than you might think.”

I forget which of them first said, “I use digital...

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Peter K. Burian Posted: Jan 01, 2009 0 comments

Whether you own a 35mm or digital SLR camera, a dedicated external flash unit can be a valuable accessory. Not many new models were unveiled at photokina, and three of the four were macro ringlights. These have been gaining in popularity for extra lighting in extreme close-up photography of products, nature subjects, and medical/dental applications, but they can also be useful for some...

Peter K. Burian Posted: Jan 01, 2009 0 comments

As the price of D-SLRs and high-resolution digicams drops to more affordable levels, an increasing number of families and serious photo enthusiasts want a better photo printer. We found lots of new machines at the photokina show, some with high-tech features such as Wi-Fi and Ethernet compatibility. Lack of space precludes coverage of every new product, but the following printers are worth...

George Schaub Posted: Jan 01, 2009 1 comments

The photokina trade fair held in Cologne, Germany, every two years has a solid reputation for previews and announcements meant to shake up the practices and worldviews of photographers, be they amateur or pro. This can come in the form of products real and imagined, with some making it to shelves and others just a wistful dream of designers and engineers who hope what they propose will become the...

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Robert E. Mayer Posted: Jun 01, 2008 0 comments

While some sounded the death knell of filters when digital imaging arrived, with all the in camera and plug-in manipulations available, there were a number of new and often high-end filters on display. Here's what's new and improved in this frequently essential accessory:

Argraph announced a new Marumi DHG (Digital High Grade) Achromat Macro 200 (+5)...

Peter K. Burian Posted: Jun 01, 2008 0 comments

Although the D-SLR category is growing more rapidly, digicams with integral lenses still outsell the larger cameras by roughly 10 to 1. That's primarily because of the lower price and particularly the greater portability. Even the most serious photographer usually wants a pocket-size camera--with built-in lens and flash--that they can carry most anywhere.
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Ibarionex R. Perello Posted: Jun 01, 2008 0 comments

As I walked the trade show floor at the recent PMA, it was interesting to see how much software was being offered to meet specific needs, rather than attempt to be the end-all and be-all. I discovered software that offers solutions not meant to replace Adobe's Photoshop, but rather help photographers improve their ability to achieve common and specific tasks.

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