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Frances E. Schultz Posted: Jan 01, 2009 1 comments

At photokina 2008, there was (as usual) an extraordinary range of camera supports. So many in fact that a “laundry list” of new introductions could easily fill the whole magazine. This prompted me to think hard about what to look for in a camera support. It seemed to me there are three things: three legs, if you like. What you need; what you want; and what you can afford. You may care...

Roger W. Hicks Posted: Jan 01, 2009 1 comments

Let’s start with the cheapest Large Format (LF) camera at the show, and, as far as I am concerned, the one that is likely to be of the most interest to the largest number of our readers: the Bulldog 10x8” camera (also available in 8x10” for the American market—it’s a reversing back and can be used either way). The UK price is £250, which means that although a...

Peter K. Burian Posted: Jan 01, 2009 0 comments

Although digicams with built-in lenses still outsell D-SLRs by 10 to 1, market research indicates that 20 percent of consumers are planning to upgrade to an interchangeable-lens camera. As a result, most manufacturers are devoting significant R&D efforts to the D-SLR category, and we found some really desirable new cameras at photokina. The trend was toward more of the high-tech...

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Peter K. Burian Posted: Jan 01, 2009 0 comments

Because of the increasing resolution and burst speed of some new cameras, the capacity and speed of memory cards continues to increase. While a super-fast card cannot boost a camera’s maximum framing rate, the extra card speed can provide greater burst depth (more frames in a long series) and shorter data recording times. A high-speed card is also ideal after a long trip, when you’re...

Peter K. Burian Posted: Jan 01, 2009 1 comments

The primary emphasis was on D-SLRs during the photokina 2008 show, but many new digicams with integral lenses were introduced, including some inexpensive models strictly for quick snapshooting. While those may find eager buyers, I’ll concentrate on cameras intended for the photo enthusiast. In these categories, only a few trends became obvious, starting with resolution: 13- and 14-megapixel...

Frances E. Schultz Posted: Jan 01, 2009 0 comments

At two very well-attended open forums, Kodak asked the all-important question: “What’s film got to do with it?” The answer, given by four top professionals (Amy Postle, Pep Bonet, Det Kempe, and Eddie Soloway), cheered on by large audiences, turned out to be “A lot more than you might think.”

I forget which of them first said, “I use digital...

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Jack Neubart Posted: Jan 01, 2009 0 comments

Digital photo frames at photokina were riding the tide of increasing popularity, with wireless technological support in the driver’s seat. Manufacturers are trying to make them more utilitarian, so these digital frames don’t just sit there when not in use. Whatever you say about them, they’re always fashionable, competing with traditional frames for attention, and they make a...

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Peter K. Burian Posted: Jan 01, 2009 0 comments

Whether you own a 35mm or digital SLR camera, a dedicated external flash unit can be a valuable accessory. Not many new models were unveiled at photokina, and three of the four were macro ringlights. These have been gaining in popularity for extra lighting in extreme close-up photography of products, nature subjects, and medical/dental applications, but they can also be useful for some...

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Peter K. Burian Posted: Jan 01, 2009 0 comments

With the growing popularity of D-SLR cameras with sensors of various sizes, most of the manufacturers are working to expand their line of lenses. As expected, many of the latest products are “digital only”: designed for the majority of D-SLRs with the APS-C or Four Thirds size sensor. But (as specified in the text), some are multi-platform products suitable for all 35mm and digital...

Jack Neubart Posted: Jan 01, 2009 0 comments

Studio lighting comes in all shapes and sizes, and the lights that are new to photokina certainly support that contention. Our primary focus here is on strobe lighting, but that includes a mix of monolights and power packs (generators), and select flash heads that attach to these generators. If we can see any trend in studio strobes it is the increasing reliance on electronic components and...

Jack Neubart Posted: Jun 01, 2008 0 comments

It appears someone hit the dimmer switch when it came to lighting this year: the number of entries was sporadic, at best. But the good news is that there were a few shining lights. In strobe lighting the focus was entirely on self-contained monopacs, notably in lighting designed with digital control, smaller and easier-to-use lights, and one super-lightweight battery...

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Robert E. Mayer Posted: Jun 01, 2008 0 comments

Big, brash, and more digitized than ever before, this year's show exhibited scads of interesting photographic items intended to whet the photographic appetite of any type of photographer. This report covers memorable items that don't fit into any specific category but were worthy of mention.

Camera Armor Extreme (Made Products) is a...

Robert E. Mayer Posted: Jun 01, 2008 1 comments

As would be anticipated in this ever more dominant digital world, there were very few new offerings from silver-based film and paper firms, and even less for the conventional darkroom. Here are the few items I did locate:

Fuji has the new Fujicolor Crystal Archive Preferred color reversal RA-4 process paper that's said to offer vivid color reproduction, brilliant...

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Jason Schneider Posted: Jun 01, 2008 0 comments

One of the coolest things about wandering the cavernous halls of PMA is having the opportunity to snoop around and discover fascinating items where you'd least expect to find them. Just keep your eyes peeled and you'll be rewarded with fascinating tidbits, ranging from strange photo accessories to clever upgrades of traditional items, to exciting new technologies, some...

Jon Canfield Posted: Jun 01, 2008 0 comments

Color management isn't one of those topics that tend to get the heart racing with excitement, although the lack of it has probably caused more than a few panic attacks. We've seen steady improvements in color calibration hardware and software over the past few years and it's clear that color management is becoming much more mainstream than ever as digital...

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