Show Reports

Sort By: Post Date | Title | Publish Date
Filed under
Robert E. Mayer Posted: Jun 01, 2010 1 comments

Photographers are notorious gadget hounds, always seeking some new little item that will help them in their quest to produce even better images. Following are unusual items that should help fill the average photographer’s need of something new and different.

Want to be able to see exactly what your D-SLR’s LCD is seeing, from over 300 feet away? And be able to...

Filed under
Jack Neubart Posted: Jun 01, 2010 0 comments

While there are no revolutionary designs in tripods, monopods, and heads this year (unlike the introduction of the Novoflex four-legged tripod last year), manufacturers have not sat idly. They continue to address the needs of studio photographers but appear to be placing even greater emphasis on travel photography.

Notably, we’re beginning to see more subcompact tripods...

Filed under
Jack Neubart Posted: Jun 01, 2010 0 comments

A good example of how digital picture frames have changed from passive displays with looping slide shows to interactive devices is the “concept” frame system from Casio, dubbed the Digital Art Frame. The frame supports playback of Adobe’s Flash Lite 3.1 content, with future plans for network downloads. Currently you have access to different types of clocks and calendars for...

Jack Neubart Posted: Jun 01, 2010 0 comments

This year saw few major product launches in studio lighting, although we did manage to uncover some interesting lights and accessories nonetheless.

Dot Line Corp./RPS Studio introduced the Complete 7-in-1 Reflector. This folding reflector comes with a translucent panel, white, silver, sunlight (a mix of gold and silver), and gold reflectors, plus an 18 percent gray target for...

Joe Farace Posted: Jun 01, 2010 2 comments

“Of all of our inventions for mass communication, pictures still speak the most universally understood language.”—Walt Disney

It’s a photokina year and you know what that means; all of the camera manufacturers will be holding off their newest SLRs for launch at the big show in Germany this fall. While Canon was not at PMA, they officially launched the EOS-1D Mark IV...

Filed under
Robert E. Mayer Posted: Jun 01, 2010 0 comments

It’s a competitive world out there, so studios have to differentiate themselves with unique offerings and setups. Having a special line of albums or frames, or simply some stylish methods for their customers to display their precious photographs can help. A different background or method of more rapidly changing the background to suit the next sitting also helps. Here are some items that...

Filed under
George Schaub Posted: Jun 01, 2010 0 comments

Every year about this time we present a report on the new products that appeal to photographers in a number of categories, all gleaned from our visit to the annual Photo Marketing Association (PMA) Show. As we have for the past few such reports, we concentrate on many of the product categories that do not often get the spotlight grabbed by new cameras, many of which are announced throughout the...

Jon Canfield Posted: Jun 01, 2010 0 comments

Most of the software news for 2010 was featured in our March issue, but we have some quick updates to share.

Nik Software is best known for its Photoshop plug-ins. They have expanded beyond this with support for both Apple’s Aperture and Adobe’s Lightroom now in all of their products. One new addition worthy of mention is Viveza 2. If you’re not familiar with...

Filed under
Jack Neubart Posted: Jun 01, 2010 0 comments

This year we’ve seen many fine lenses come onto the scene, many with new optical elements designed to enhance performance while making the lens lighter and more affordable.

Nikon announced two new lenses aimed primarily at FX-format shooters (but usable with DX format). The AF-S Nikkor 24mm f/1.4G ED ($2199) is a fast lens well suited to low-light landscapes or expansive...

Filed under
Staff Posted: Feb 01, 2010 0 comments

The Road to Freedom: Photographs of the Civil Rights Movement, 1956-1968 features 150 vintage photographs that portray the struggles and aspirations of that historic time.

Filed under
Frances E. Schultz Posted: Jan 01, 2009 1 comments

At photokina 2008, there was (as usual) an extraordinary range of camera supports. So many in fact that a “laundry list” of new introductions could easily fill the whole magazine. This prompted me to think hard about what to look for in a camera support. It seemed to me there are three things: three legs, if you like. What you need; what you want; and what you can afford. You may care...

Filed under
Peter K. Burian Posted: Jan 01, 2009 0 comments

Because of the increasing resolution and burst speed of some new cameras, the capacity and speed of memory cards continues to increase. While a super-fast card cannot boost a camera’s maximum framing rate, the extra card speed can provide greater burst depth (more frames in a long series) and shorter data recording times. A high-speed card is also ideal after a long trip, when you’re...

Peter K. Burian Posted: Jan 01, 2009 1 comments

The primary emphasis was on D-SLRs during the photokina 2008 show, but many new digicams with integral lenses were introduced, including some inexpensive models strictly for quick snapshooting. While those may find eager buyers, I’ll concentrate on cameras intended for the photo enthusiast. In these categories, only a few trends became obvious, starting with resolution: 13- and 14-megapixel...

Filed under
Jack Neubart Posted: Jan 01, 2009 0 comments

Digital photo frames at photokina were riding the tide of increasing popularity, with wireless technological support in the driver’s seat. Manufacturers are trying to make them more utilitarian, so these digital frames don’t just sit there when not in use. Whatever you say about them, they’re always fashionable, competing with traditional frames for attention, and they make a...

Filed under
Peter K. Burian Posted: Jan 01, 2009 0 comments

With the growing popularity of D-SLR cameras with sensors of various sizes, most of the manufacturers are working to expand their line of lenses. As expected, many of the latest products are “digital only”: designed for the majority of D-SLRs with the APS-C or Four Thirds size sensor. But (as specified in the text), some are multi-platform products suitable for all 35mm and digital...

Pages

X
Enter your Shutterbug username.
Enter the password that accompanies your username.
Loading