Film Photography Reviews

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Peter K. Burian  |  Nov 01, 2003  |  0 comments

Agfa manufactures a full line of 35mm films of all types, with the Vista series being their most popular consumer-grade product. In 2001, Vista was chosen as "European Color Print Film of the Year," by EISA, a group composed of some 50 magazines. Since that time, Vista 100, 200...

Peter K. Burian  |  Mar 01, 2000  |  0 comments

Although Fujichrome Provia 100 Professional is a top-rated transparency film, the engineers at Fuji have not been resting on their laurels. Aggressively continuing their Research and Development activity, they achieved a breakthrough: an ISO 100 film with...

Peter K. Burian  |  Jul 01, 2001  |  0 comments

Until about five years ago, any color print film with an ISO over 200 was considered to be in the "high-speed" category. Then, the many ISO 1000 and 800 films hit the market, and eventually, the ISO 400 products were defined as medium...

Frances E. Schultz  |  Jan 01, 1998  |  0 comments

There are those who say that there really isn't any reason, anymore, to go into the darkroom to tone prints. After all, you can sit in front of the computer and change color balance, alter brightness and contrast, and bend curves to get all kinds of...

Shutterbug Staff  |  Nov 01, 2005  |  0 comments

Chemistry--especially black and white chemistry--remains defiantly buoyant. Although chemicals for color printing are unmistakably in decline, and although domestic processing kits for slide film (Kodak E-6 compatible) and negative film (Kodak C-41 compatible) are harder and harder to find in large packages (5 liters and above), monochrome chemicals continue to flourish.

Frances E. Schultz  |  Jan 01, 2007  |  0 comments

Walking through some of the halls at photokina, you could be forgiven for thinking digital photography has taken over. But look again and you can find plenty of silver halide waiting to be discovered: new films, chemicals and papers, updated enlargers, a new cold light source, and a new archival washer. Old friends, companies like Paterson Photographic, Condor, Tetenal, and...

Roger W. Hicks & Frances E. Schultz  |  Mar 01, 2007  |  0 comments

The name says it all: Rollei's ScanFilm 400CN Pro is an ISO 400 color negative film (Kodak C-41 compatible) for scanning, rather than for wet printing. The big difference is that the orange mask, incorporated in almost all color negative films since the 1950s, is omitted: it just isn't needed if you are scanning.

On the other hand, the orange mask is no...

Stan Trzoniec  |  Sep 01, 2005  |  0 comments

Now doesn't it seem ironic that just as we're in the midst of the digital revolution that slide films are at the peak of performance and quality? While all sounds like doom and gloom when it comes to silver-based products, around my circle of friends I find that most are still shooting film at a rate close to or even sometimes more than they were shooting before. Sure...

David B. Brooks  |  Nov 01, 2000  |  0 comments

Kodak recently released new Supra 100, 400, and 800 speed 35mm professional color negative films reported on by our Editor, Bob Shell, in the July issue. Part of the information Kodak published about these new films is that they have been formulated...

Dave Howard  |  Sep 01, 2004  |  0 comments

For readers who are unfamiliar with the Holga camera, a bit of background is in order, lest you wonder why I would bother to review a $100 enlarger, with its inevitable compromises.

The plastic-lensed Holga, and its glass-lensed sibling, the Woca, are...

John Wade  |  Jul 13, 2015  |  2 comments

Ninety years ago, at the 1925 Leipzig Spring Fair in Germany, a camera was launched that was destined to change the face of photography. This was a time when it was still common for glass plates to be used in cameras, and those that took roll film were thought of as miniatures. So imagine the culture shock when a still photography camera was produced to take 35mm movie film.

George Schaub  |  Oct 01, 2003  |  0 comments

When Velvia first burst on the scene more than 10 years back it created a revolution in the way photographers related to slide film. I remember getting my first roll into a camera in Las Vegas and immediately beating a path to Red Rock Canyon. I made a series of bracketed exposures and got...

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