Pro Techniques

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David C. Schultz Posted: Dec 31, 2013 Published: Nov 01, 2013 0 comments
Seeing what was about to hit us I quickly grabbed for a table I knew was anchored to the floor, but it was too little, too late. Along with a number of other staff and passengers I was thrown to the floor and found myself rolling from starboard to port, bouncing off chairs and tables along the way. I knew the ship would very quickly start to roll in the opposite direction, so no attempt was made to stand. Instead I waited on the floor, arms wrapped around a table leg, for a moment of relative calm. Good morning, and welcome to the Drake Passage.
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Norm Haughey Posted: Apr 01, 2008 0 comments

The impact and success of a studio portrait is often the combined result of lighting, composition, body language, lens choice, camera angle, clothing, color, texture, and even luck. With a few portrait techniques under your belt, however, your luck will improve dramatically. There are many portrait-making methods that can help you develop your own style over time and ultimately...

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Fred Collins Posted: Jun 01, 2009 0 comments

When I think about all of the photography equipment I have added to my collection over the years—cameras, lenses, lights—I would have to put my finger on the raw conversion window in Photoshop as probably the most effective tool I currently have for making my images look good. It has even lightened the load in terms of the amount of equipment I use for taking the shot in the first...

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Stan Trzoniec Posted: Jul 01, 2005 0 comments

Photographers, by nature, love accessories. But sooner or later we all have to face the fact that we can only carry so much equipment. When I go out I go through a mental check list and include the basic equipment that I've outlined in this article. Please keep in mind this is my personal list; vary yours to suit the terrain, subject, and distance covered.

...

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Howard Millard Posted: Nov 01, 2005 0 comments

Recently, I attended several excellent Photoshop seminars presented by Software-Cinema.com. These were held in a large meeting room of a city hotel with some 200 people in attendance. Photographic images from the presenter's laptop were projected on an enormous screen, with great clarity and color saturation. They must be using a very expensive projector, I assumed. After...

Steve Bedell Posted: Sep 01, 2007 2 comments

Digital has created a tremendous amount of change in the last few years, and photographers who have not been quick to adapt have lost business and, perhaps more importantly, business opportunities. The landscape has changed dramatically, and the people doing professional photography range from MWACs (Moms With A Camera) who work for practically nothing or for friends to very...

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George Schaub Posted: Apr 24, 2014 0 comments
The print completes the creative circle you began inscribing when you first viewed the image and snapped the shutter. The beauty of black and white printmaking is that you can share that vision through interpretive techniques that include expressive use of tonality, artful contrast and exposure control. Yes, digital images can be viewed on a screen and shared through the Internet to a worldwide audience. But nothing quite matches the intimate beauty of a carefully produced print, one that can be hung on a wall in your home or a gallery.
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David B. Brooks Posted: Dec 01, 2008 0 comments

Each month through the Digital Help column I receive many e-mail messages on how to get prints that match the on-screen image. I have included a sampling of some of these queries as well as some solutions to these problems so challenging to many photographers.

Questions
For years I have been printing with great success on a Canon i9900 inkjet...

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Maria Piscopo Posted: May 01, 2007 1 comments

The legal issues of privacy rights and copyrights in photography are usually not covered thoroughly enough in photo schools. Many professionals don't take the time to learn the law. This often leads to confusion and chaos when photographers start selling their work. Whether you are part-time or full-time, amateur or pro, one of the most important legal issues you will...

Maria Piscopo Posted: Nov 22, 2013 Published: Oct 01, 2013 4 comments
There’s a long tradition of photographers doing pro bono work for charities. Now, with social media and the Internet in general, the marriage of photography and doing good for others has grown even more. NGOs (Non-Governmental Organizations) have been around since the mid-1940s, but in the last few years some amazing photography has further helped communicate their mission.
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Jack Neubart Posted: Sep 10, 2012 Published: Aug 01, 2012 11 comments
Erik Almas is truly passionate about his photography and will go to great heights to shoot a picture—literally. He and his camera have gone mountain climbing, skydiving, and flying in microlight aircraft. That said, most of his images are shot on terra firma.

Beyond that, he will spend upward of $10,000 on a personal project to create images he strongly believes in for his portfolio. The project may involve travel with a crew and hired talent and renting gear where needed. He does not believe in limiting himself or his creative vision, and his clients appreciate that.

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Jack Neubart Posted: May 01, 2009 1 comments

“I’ve always loved cars,” Charles Hopkins proclaims. “Besides, who wouldn’t like having access to the latest vehicles before anyone else has even heard about them?” It was when he arrived in Los Angeles that Hopkins took that passion one step further. He’d joined up with photographers who specialized in automotive photography and honed his skills. He went...

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Jack Neubart Posted: Feb 01, 2010 0 comments

“Magic hour is a time that I always strive for and work around,” observes Memphis-based architectural photographer Jeffrey Jacobs (www.jeffreyjacobsphoto.com). “I arrive at the location before sunset (or before sunrise, as the situation warrants). After 10am, depending on the time of year, the usable light is pretty...

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Jack Neubart Posted: Aug 01, 2010 0 comments

Tony Arrasmith is a master at creating composite images.

His attention to detail is what draws clients to his Cincinnati studio. A long-time ASMP member, he operates Arrasmith & Associates (www.tonyarrasmith.com) in partnership with Sarah O’Dell, who manages the studio and coordinates projects. The studio has...

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Jay McCabe Posted: May 01, 2006 0 comments

He figured he'd be one of the last of the holdouts. "When the whole digital revolution started, I thought I'd be the last guy to be shooting digital," David Alan Harvey says. Then along came an offer he didn't want to refuse. "Nikon was working on an ad campaign for their D100, and they asked me if I'd go down to Mexico and shoot with the...

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