Pro Techniques

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Joe Farace  |  Jul 01, 2008  |  0 comments

The noise that appears in digital photographs is the visual equivalent of the static you hear in radio signals. Most digital cameras add some level of noise to captured images.

Frank Weston  |  Jul 01, 2008  |  0 comments

It’s easy to create a very sharp, realistic looking double matte to give your online photos an artistic presentation. All it takes is some very basic Photoshop skills and less than 10 minutes.

Jon Canfield  |  Jul 01, 2008  |  0 comments

To help make this as easy as possible, it’s helpful to follow a few guidelines for organizing your images.

Jon Canfield  |  Jul 01, 2008  |  0 comments

If you maintain all your own images you have more freedom in how to go about tagging these photos for future reference.

Lorraine A. DarConte  |  Jul 01, 2008  |  0 comments

A. T. (Tom) Willett and Jeff Smith are commercial photographers whose clients include Humana (insurance), Getty Assignments, Tucson Guide, More Magazine, the Arizona Public Service (APS), and the University of Arizona. The duo met more than 20 years ago while attending Pima Community College in Tucson.

Both moved to the small city when they were young (Willett from...

Anthony L. Celeste  |  Jul 01, 2008  |  0 comments

Just about every one of us has suffered through at least one data disaster, where we’ve lost a significant number of photos or other important files.

Joe Farace  |  Jul 01, 2008  |  0 comments

If your camera doesn’t offer Live View you can add it as an accessory.

Jack Neubart  |  May 01, 2008  |  0 comments

In a career spanning 40 years, Jeff Smith's work as an industrial and corporate photographer is well-known to many. Not too long ago we'd find him going to a job site with literally almost a half-ton of lighting gear, along with a Mamiya RZ67 and heavy lenses, not to mention countless packs of film and Polaroids. Over the years the market has shifted, technology has...

Steve Bedell  |  May 01, 2008  |  0 comments

Like most photographers, I like to play around and constantly explore Photoshop. But I'm a businessman, too, so I need to be careful about how much time I spend in front of the computer. The more time I spend there, the less I have for taking photos and marketing my services, and that's where I make money. So I've always adopted the philosophy of getting it right...

Joe Farace  |  May 01, 2008  |  0 comments

"Silver white winters that melt into springs."--Oscar Hammerstein II

The idea behind this story was to provide insight into the photo gear I own and use, all of which was purchased from Shutterbug advertisers. During the review process many different photographic products pass through my hands but contrary to what you may think they don't stay there...

Barry Tanenbaum  |  Apr 01, 2008  |  0 comments

Here are a few things AJ Neste's learned about photographing surfers:
One, it's the singer, not the song. "The most important part of being successful at this," he says, "is knowing the surfer. It's not just showing up somewhere and taking photos of random surfers. You won't know their personal style."

...

Brad Perks  |  Apr 01, 2008  |  0 comments

Rainbows have inspired legends of luck and good fortune. The beautiful colors are created in a simple process. Capturing a rainbow with your camera takes a bit of that good luck.

Rainbows require two simple ingredients--sunlight and raindrops. They combine at just the right angle to colonize a beautiful picture. The colors are formed when...

Norm Haughey  |  Apr 01, 2008  |  0 comments

The impact and success of a studio portrait is often the combined result of lighting, composition, body language, lens choice, camera angle, clothing, color, texture, and even luck. With a few portrait techniques under your belt, however, your luck will improve dramatically. There are many portrait-making methods that can help you develop your own style over time and ultimately...

Howard Millard  |  Apr 01, 2008  |  0 comments

Putting two or more captures on top of each other in a single image multiplies the potential for impact and opens up new avenues to creative expression. Whether you want to inject motion into a static shot, add moody atmosphere or dreamy nostalgia, or enhance one subject with the texture of another, multiple exposure offers a myriad of possibilities. The techniques complement...

Howard Millard  |  Apr 01, 2008  |  0 comments

Albert Watson's powerful vision bridges the worlds of darkroom and digital. With more than 250 Vogue covers to his credit, three award-winning books, more than 650 commercials and music videos, he is a reigning master of both stunning black and white and cutting-edge color. His advertising clients include Chanel, Levi's, Gap, and Revlon, and his editorial work ranges...

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