George Schaub

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George Schaub  |  May 24, 2013  |  First Published: Apr 01, 2013  |  2 comments
In an attempt to connect everything electronic, this year’s CES/PMA show in Las Vegas was awash in “smart” TVs, tablets, and various and sundry devices that can link to your device—be it phone, tablet, or camera—and allow you to access “image content” anywhere, anytime. There was also a rash of rough cameras, a 3D lens for still and video, new ways to customize your camera, and a major boost in USB storage and memory card speed. Following are some photo tech highlights.
George Schaub  |  Apr 05, 2013  |  First Published: Mar 01, 2013  |  2 comments
While we might not realize it we have all been making portraits since the day we were born. We recognized the shapes and proportions of the face as being of our own kind, and grew to recognize the features of those who were near to us and were dependent upon. We also began to understand that as we went out in the world how the rearrangement of those features boded ill or well, and began to understand the looks of love, empathy, anger, fear, and even indifference. The ability to read those signs was what enabled us to cope with the world and the people who inhabit it.
George Schaub  |  Feb 11, 2013  |  0 comments

Calling a product “state-of-the-art” can be a double-edged sword, one that includes both the leading edge and the bleeding edge. In the case of the Samsung EX2F there’s more of the leading side of the equation, at least when it come to a fun, portable camera that delivers in more ways than one—especially when it comes to connecting you from camera to email, sharing sites, et al.

George Schaub  |  Feb 11, 2013  |  0 comments

Calling a product “state-of-the-art” can be a double-edged sword, one that includes both the leading edge and the bleeding edge. In the case of the Samsung EX2F there’s more of the leading side of the equation, at least when it come to a fun, portable camera that delivers in more ways than one—especially when it comes to connecting you from camera to email, sharing sites, et al.

George Schaub  |  Mar 19, 2013  |  First Published: Feb 01, 2013  |  0 comments
When we all started out in photography we had something that lit the spark, some picture we took or some special interest that we knew would be part of our guiding light in the craft. Or we saw the work of another photographer, a mentor if you will, that we immediately connected to and saw in their work a path into our own inner vision. Our aim here at the magazine, along with how-tos and reviews, is to present the work of a wide diversity of photographers who have gotten involved on an intense level with one topic, one locale, or one point of view and created a body of work that speaks to their own inner vision. It can be a project or a life’s work, but in each case we understand and appreciate the tremendous amount of focus and energy it involves.
George Schaub  |  Jan 28, 2013  |  5 comments

Early photographers were bedeviled by the slowness of their sensitized materials. Though exposure times were eventually shortened to workable lengths, early studios used neck braces and confining chairs to keep their subjects still while the exposure was being made.

George Schaub  |  Jan 16, 2013  |  23 comments

The desire to show and share work is common to most photographers. Taking the work out of the drawer or hard drive and putting it onto paper can be a key phase in the development of a photographer. It is both a challenge and a way to build confidence, as it forces the artist to face the concept and underlying principle of his or her work. And, it can be fun.

George Schaub  |  Jan 04, 2013  |  5 comments

If you were a detective you would look for motive as a prime clue as to who did the deed, but how many times have you really thought about your own motivation for making photographs? The mystery all photographers eventually attempt to solve is: just motivates me to make pictures and to process images in my own unique way? Kind of like trying to figure out the meaning of life, I guess, and using your photography to help you answer a small part of that question.

George Schaub  |  Feb 07, 2013  |  First Published: Jan 01, 2013  |  2 comments
It’s as if camera companies had been holding back in the last few months and finally the dam burst, resulting in a flood of new cameras debuted at photokina 2012. While there was a fair share of Micro Four Thirds mirrorless, interchangeable lens compacts, and medium format digital cameras, the major headlines were grabbed by a full slate of full-frame cameras—even “compacts.” In addition, it seems as if smartphones have chased the camera makers into offering more and more Wi-Fi-capable cameras, along with downloadable apps that can expand a camera’s capabilities. In all, it made for a host of new camera announcements—enthusiast, pro, and high-end alike—although there were few bargains to be found. As I go through the camera intros I’ll include the list price (when available) without comment, but in general you might be somewhat shocked by some of the prices these new cameras command.
George Schaub  |  Feb 07, 2013  |  First Published: Jan 01, 2013  |  1 comments

There are those who make prints often, and there are those who make prints occasionally. The split, you might think, is between amateur and pro, but that’s not always the case. Some “amateurs” print as much if not more than some pros, and some pros make their own prints only when they have time, usually for their personal portfolio, but certainly not on every job. That’s why pigeonholing the Epson R3000 in terms of intended audience, amateur or pro, is not so easy. It certainly delivers the quality you might expect from a higher-end Epson model, given its attributes, ink set, fine nozzles, and highly evolved print head, etc., but it’s by no means a volume/production printer, given its single sheet feed for “art” paper, albeit with larger capacity ink carts than some past 13x19” printers, and roll feed capability.

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