George Schaub

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George Schaub  |  Aug 12, 2013  |  First Published: Jul 01, 2013  |  0 comments
There’s something about a fixed focal length lens that brings the photographer out in me. It forces me to move in and back from compositions without resorting to a zoom. Yes, there are times when a zoom is most appreciated—especially the fast constant aperture zooms now available—but a prime puts me in a mindset that a zoom has yet to match.
George Schaub  |  Jul 03, 2013  |  First Published: Jun 01, 2013  |  0 comments
There’s no question that camera makers have been busy of late. They’ve brought out many new models, some basically upgrades from previous models, but also those that blaze new trails in digital photography and camera design. Updates these days are often built around new tech developments or, more likely, the inclusion of some sort of sharing or Wi-Fi functionality.
George Schaub  |  Jul 05, 2013  |  First Published: Jun 01, 2013  |  0 comments

I don’t think there’s much doubt that, all things being equal, larger sensors are capable of delivering superior image quality. The very fact that more sensor sites are available means that there’s better performance in low light, less noise in shadow areas, and that cropping does not mean making compromises in the image’s integrity. Now that the megapixel race has settled down, somewhat, and compact system cameras allow for lens interchangeability without requiring large packs to accommodate gear, a new trend is emerging where the classic D-SLR form is seeing more and more full-frame models aimed at attracting the enthusiast photographer.

George Schaub  |  Aug 08, 2013  |  First Published: Jun 01, 2013  |  0 comments

There’s no question that camera makers have been busy of late. They’ve brought out many new models, some basically upgrades from previous models, but also those that blaze new trails in digital photography and camera design. Updates these days are often built around new tech developments or, more likely, the inclusion of some sort of sharing or Wi-Fi functionality.

George Schaub  |  Jun 13, 2013  |  First Published: May 01, 2013  |  0 comments
When images are composed of codes and “addresses” they are open to all sorts of interpretations. Unlike film, where the image characteristics were, if you will, boiled into the emulsion, digital images are ultimately malleable and occasional capricious things. Major capture indiscretions aside, you can do what you please with an image. Want red balloons rather than blue? A few deft touches can change the entire party mood. Want your grass greener? Just slide that slider and you’ll have a lawn to make any suburbanite proud. Want to have zebras on the moon gamboling with unicorns in an idyllic wood? Gather the elements and composite them accordingly.
George Schaub  |  Apr 22, 2013  |  0 comments
Think of the image you create with your digital camera as a negative and that you are a master printer who can take that negative and make as good a print as you have ever seen. When you adopt that mindset you begin to understand the potential of each shot. The expectation that you can do something more with an image can be built into every type of lighting condition, contrast and exposure problem you might face. The attitude should not be that you can “fix it” in software, it is that you should think beyond the exposure to what can be done to the image later when you download it to your computer and work with it in software.
George Schaub  |  Apr 22, 2013  |  0 comments
What is the optimal ISO setting for each shot? How do you decide on the ISO setting to balance shooting needs and image quality? Given that the lowest ISO possible gets you the best image quality, how do you make decisions based on lighting conditions and shooting needs, such as when you need increased shutter speed for hand held shooting or narrower apertures for increased depth of field? How do you decide whether ISO 100, 400 or 800 is best?
George Schaub  |  May 21, 2013  |  First Published: Apr 01, 2013  |  0 comments
I must admit to mixed feelings about the ongoing “connectedness” craze. On the one hand you have to admire technology that allows you to link the images in your camera with various mobile devices, convenient I am sure for some, and that now even lets you shoot and share at one touch of a button. On the other hand I am uncertain how this has anything to do with seeing and making quality images that speak to your instincts and feelings about the world around you. I note that some companies make this connected ability the headline of their new products, while others take it more in stride and list it as just another feature.
George Schaub  |  May 24, 2013  |  First Published: Apr 01, 2013  |  0 comments
In an attempt to connect everything electronic, this year’s CES/PMA show in Las Vegas was awash in “smart” TVs, tablets, and various and sundry devices that can link to your device—be it phone, tablet, or camera—and allow you to access “image content” anywhere, anytime. There was also a rash of rough cameras, a 3D lens for still and video, new ways to customize your camera, and a major boost in USB storage and memory card speed. Following are some photo tech highlights.
George Schaub  |  Apr 05, 2013  |  First Published: Mar 01, 2013  |  2 comments
While we might not realize it we have all been making portraits since the day we were born. We recognized the shapes and proportions of the face as being of our own kind, and grew to recognize the features of those who were near to us and were dependent upon. We also began to understand that as we went out in the world how the rearrangement of those features boded ill or well, and began to understand the looks of love, empathy, anger, fear, and even indifference. The ability to read those signs was what enabled us to cope with the world and the people who inhabit it.

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