Edited by George Schaub

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Edited by George Schaub  |  May 10, 2017  |  0 comments

The new Nikon D5600 is a midrange DSLR camera based around a 24.2-megapixel DX-format (APS-C) sensor. The sensor offers the same resolution as the previous D5500. The same goes for the image processor—the Expeed 4 system—that was used in the D5500, which was launched two years ago (January 2015).

Edited by George Schaub  |  May 10, 2013  |  First Published: Apr 01, 2013  |  0 comments

The Nikon D600 is the smallest of the company’s full-format sensor cameras yet due to the same seals and protections as the Nikon D800 and its very robust body, it can be used outdoors under rugged and rainy weather conditions.

Edited by George Schaub  |  Sep 17, 2013  |  First Published: Aug 01, 2013  |  3 comments

The Nikon D7100 is the newest of Nikon’s D-SLRs with a DX sensor (APS-C size). This is a new sensor without a low-pass filter, a very unique feature in this class because nearly all compact and SLR cameras use low-pass filter systems to avoid moiré and aliasing effects. The sensor has a resolution of 24MP (6000x4000 pixels). We did our tests with the kit version of the D7100, using the AF-S DX NIKKOR 18-105mm f/3.5-5.6G ED VR, said to be optimized for DX cameras.

Edited by George Schaub  |  Aug 11, 2015  |  0 comments

The Nikon D7200 will seem quite familiar to those who have worked with the forerunner D7100: indeed, the image sensor of the new D7200 is basically the same. It offers 24MP resolution, but now has a higher “standard” ISO range up to ISO 25,600 (which was the High or “push” mode” offered by the D7100) that can now be expanded to an ISO 102,400 equivalent, albeit in monochrome mode only. These higher speed settings are possible because the D7200 uses a new image processor dubbed “Expeed 4.”

Edited by George Schaub  |  Aug 20, 2012  |  First Published: Jul 01, 2012  |  1 comments

The Nikon 36MP D800 has a “full-format” sensor with a resolution normally associated with digital backs, making it a competitor with medium format cameras made by companies such as Hasselblad or Phase One. The camera will be available in two versions: a standard version, which was used for this test, and an additional version dubbed the D800E, which does not have a low-pass filter. The conventional thinking on use of a low-pass filter is that it avoids color moiré, although inclusion of the filter can create a certain amount of softening of image details. To avoid this soft look many medium format cameras or digital backs do not use it. In those cameras with the filter the effect is reduced via digital filtering in their Raw converter software. (We will do another resolution test on the D800E when it becomes available.)

Edited by George Schaub  |  Jun 12, 2012  |  2 comments

The Nikon D800E contains a 36MP full-format FX sensor, a resolution normally associated with digital backs. This makes the D800E a competitor with medium format cameras made by Hasselblad or Phase One. The “E” version of this camera is contsructed without a low pass filter, used in many digital cameras to avoid color moiré but that can create a certain softening of image details. To avoid this soft look, many medium format cameras or digital backs do not utilize this filter. In cameras that use the filter, moiré effects are filtered in their raw converter software.

Edited by George Schaub  |  Jul 22, 2014  |  First Published: Jun 01, 2014  |  0 comments

The Nikon Df is a retro-style SLR camera with a 16MP full-frame sensor. While other Nikon SLRs, such as the D4, are clearly aimed at the professional and enthusiast markets, with all the attendant features of modern D-SLRs, the Df is clearly a “classic” camera approach, intended for “purists.” That may be the reason why the Df offers no video capabilities, for example.

Edited by George Schaub  |  Mar 07, 2014  |  First Published: Jan 01, 2014  |  0 comments

The Olympus E-P5 has a classic viewfinder camera design but doesn’t have an optical or electronic viewfinder. It does have a swivel monitor which can be folded up- and downward and offers very high resolution (1,037,000 RGB dots). Its 3:2 aspect ratio shows additional information on both sides of the viewfinder image, which has an aspect ratio of 4:3 when taking images in the highest image resolution setting. By pressing the “OK” button in the center of the control field additional parameters are shown as overlays on the right-hand side of the live view image.

Edited by George Schaub  |  Apr 21, 2014  |  First Published: Mar 01, 2014  |  1 comments

The new Olympus OM-D E-M1 is the follower of the first OM-D, the proper and full name having been the “OM-D E-M5.” The E-M1 incorporates many of the E-M5 advantages, the famous five-axis image stabilizer being one of them. This image stabilizer is based on sensor-shift technology and allows the user to shoot a stabilized image with every lens system mounted to the camera.

Edited by George Schaub  |  Oct 13, 2015  |  0 comments

The OM-D E-M10 Mark II (E-M10 II in the following text) is the second generation of the Olympus entry level E-M system line. The first E-M10, introduced in January 2014, was a very small and compact camera with SLR design elements. The E-M10 II has a very similar look with even more “retro style” elements. The on/off switch, for example, looks like the same switch on the analog Olympus OM-1 from the 1970s.

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