Joe Farace

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Joe Farace  |  May 01, 1999  |  0 comments

Coming as it does shortly after the MacWorld Expo and shortly before the Seybold graphic arts show, some companies did not launch new printers or flat-bed scanners at PMA. In fact, there appeared to be more new film scanners than flat-beds, and you can...

Joe Farace  |  Jun 01, 2010  |  0 comments

“Of all of our inventions for mass communication, pictures still speak the most universally understood language.”—Walt Disney

 

It’s a photokina year and you know what that means; all of the camera manufacturers will be holding off their newest SLRs for launch at the big show in Germany this fall. While Canon was not at PMA, they officially launched the EOS-1D Mark IV...

Joe Farace  |  May 01, 2015  |  0 comments

The reality is you can make portraits using any lens but most photographers will tell you the ideal portrait lens has a focal length in the range of 85-135mm. The first dedicated portrait lens was the 150mm f/3.3 Petzval developed in 1840, which had a 30-degree angle of view and was considerably faster than lenses of the period. It was so legendary that Lomography recently produced a new version for Canon EF- and Nikon F-mount cameras that costs $599.

Joe Farace  |  Sep 01, 2004  |  0 comments

Portraits From The Real World
Dick Sanders is an interesting guy. Like many of us, he became interested in photography while young, but the career path that led him to create the arresting images that populate this site (

Joe Farace  |  Mar 01, 2005  |  0 comments

Riddle me this: What's the hardest thing to find on any location shoot? If you said, "clients who were on time," that would be partially true, but the correct answer is--an AC power outlet. They're even more difficult to find if you're at the beach, in a park, or as I often find myself, on a racetrack somewhere. One of the niftiest solutions...

Joe Farace  |  Nov 01, 2010  |  0 comments

“All power corrupts, but we need the electricity”—Anonymous

It was a dark and stormy night… Mary and I were watching a DVD when the house was hit with a massive power surge. For a second I wondered about my computers but quickly forgot about them until turning them on a few days later. My Mac Pro and peripherals that are connected to a hefty APC (

Joe Farace  |  Jul 31, 2015  |  0 comments

Everybody makes prints from their digital image files—everybody. It may just be cranking out a few photo prints from a birthday party on a kiosk at Walgreens, or wedding photographers having full albums printed at commercial labs, but contrary to some pundits who claim digital has destroyed the need for a physical print, they are still being made and enjoyed. As Mark Twain once said, “Facts are stubborn, but statistics are more pliable.”

Joe Farace  |  Nov 01, 2009  |  0 comments

“Part of the inhumanity of the computer is that, once it is competently programmed and working smoothly, it is completely honest.”—Isaac Asimov

One possible answer to the proverbial question “what is pro gear” might rightly be answered in this month’s Web Profiles (I don’t want to ruin the surprise), but a more conventional answer will be found in...

Joe Farace  |  Dec 08, 2015  |  0 comments

While compiling a list of my favorite professional DSLRs two things came to my mind: At this point in the 21st century, why are they still called DSLRs and not simply SLRs? Canon’s top-of-the-line, film-based EOS-1v was introduced in 2000 and is long gone. Nikon’s F6 ($2,399) was launched in 2004, and although you can still buy one, not many people do. To me it’s like calling automobiles “horseless carriages” and since I don’t think a Nikon F7 is around the corner, let’s put this abbreviation to bed.

Joe Farace  |  Jan 25, 2016  |  0 comments

One of the easiest ways to capture that classic black and white look when shooting an IR- converted SLR is to shoot in Monochrome mode. If your camera doesn’t offer that option, you’ll have to convert the image into black and white after the fact. That may be the better of the 2 choices because that approach will give you more control over how the final image looks.

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