Joe Farace

Sort By: Post Date | Title | Publish Date
Joe Farace  |  Jul 01, 2001  |  0 comments

Ever since the Pictorialist movement at the turn of the 20th century, photographers have always enjoyed applying what many have dubbed "painterly" effects to their images. Pixographers are no strangers to this desire to create artistic...

Joe Farace  |  Jun 01, 2003  |  0 comments

PMA 2003 abounded in lots of digital gear. There were digital camera bags, digital tripods, and so forth so I went looking for digital lens tissue. I failed to find it but found something better from the clever folks at Hakuba (www.hakubausa.com).

Joe Farace  |  Jun 01, 2004  |  0 comments

There was all kinds of software at PMA 2004, but I would like to pass along some advice to would-be developers who want to get rich making under-$100 software for Windows that lets users manage, edit, print, and do all kinds of tricks. Fuggedaboutit. ACD Systems owns this market. While the Mac...

Joe Farace  |  Jul 11, 2013  |  First Published: Jun 01, 2013  |  0 comments
Spring will soon be here and I’m looking forward to snow melting and flowers blooming. It’s a good time to appraise your web presence and spruce it up. If you do, I have a suggestion: don’t use Adobe Flash. First, it means millions of people using iPhones, iPads, or iPods can’t view your site.
Joe Farace  |  Jun 01, 2009  |  0 comments

“To the complaint, ‘there are no people in these photographs,’ I respond, ‘there are always two people: the photographer and the viewer.’”—Ansel Adams

It’s June, a month of brides and Shutterbug’s Digital Darkroom special issue. In this month’s edition of Web Profiles, I’ll introduce you to a website created by an amazing...

Joe Farace  |  Jan 01, 2004  |  0 comments

Photographing race cars is a challenge no matter what kind of camera you use. Most people think that all they need is high ISO, fast shutter speed, and a long lens with a large aperture a.k.a. "big glass." Toss in a high frame per second continuous shooting mode and with a little...

Joe Farace  |  Apr 23, 2013  |  First Published: Mar 01, 2013  |  1 comments

Speedotron’s power pack and head systems are the studio lighting world’s equivalent of the American muscle car. They’re powerful, made in the U.S.A., and ruggedly built to take hard use. Since its beginnings the company has offered two lines of lighting systems for photographers with different requirements. The premium-priced Black Line is intended for commercial shooters, while Brown Line products are aimed at portrait photographers, yet when used normally both have similar quality, reliability, and longevity.

Joe Farace  |  Aug 01, 2009  |  0 comments

“Scientists are saying the future is going to be far more futuristic than they originally predicted.”—Krista Now, Southland Tales

When Olympus announced the Four Thirds concept at PMA 2001, I was among the many members of the press who were, to put it in the most polite terms, skeptical. At the time, it seemed to me like a cure for no known disease, but I began to get...

Joe Farace  |  Feb 26, 2016  |  0 comments

Here are some tips I discovered when researching this month’s column. One was from my wife who uses this technique all the time—smile! And you know what, people smile back, making you appear friendly and non-threatening. The other was from Michael Archambault, who suggests you “acknowledge that street photography is not perfect.” Or as my grandfather once told me, “If you spend your whole life looking for happiness, it’ll make you miserable.”

Joe Farace  |  Dec 01, 2010  |  0 comments

“One of the nice things about Christmas is that you can make people forget the past with a present.”—Anonymous

It was a dark and stormy night…(continued from last month). Western Digital (www.wdc.com) asked me to return my recalcitrant network drive to them and, after taking a look, declared it DOA. Every cloud has a...

Pages

X