George Schaub

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George Schaub  |  Jun 01, 2003  |  0 comments

Editor's Notes

This issue marks our annual foray into what's new in the photo/imaging world and contains our exclusive report on happenings at the annual Photo Marketing Association (PMA) Show. We went to PMA with a full staff of reporters who covered their respective beats and who...

George Schaub  |  Dec 01, 2003  |  0 comments

Editor's Notes

It's in those tiny, particular pieces of information that come across my desk that I sense the changes going on in photography. True, I can't help but be moved by the major trends such as the wholesale migration of many friends and associates to the digital side.

George Schaub  |  Jan 01, 2004  |  0 comments

Editor's Notes

This being the start of a new year I thought I'd take the opportunity to thank those who have made 2003 a successful year for all of us here at Shutterbug. This has been quite a year here, what with our going to a different format and producing the most pages of any...

George Schaub  |  Jul 01, 2003  |  0 comments

Editor's Notes

I have to confess that I have not exposed a lot of film recently. The same goes for many photographers I know, who admit to the same thing with a similar trace of guilt that I feel about it. Many folks have been swept up into the digital realm and been hooked by the instant...

George Schaub  |  Aug 01, 2003  |  0 comments

Editor's Notes

More and more digital cameras are now offering a new file format that may be the best choice for those who really want to get into their digital image files. Known collectively as raw, it doesn't really stand for anything, as do the initials in JPEG and TIFF. Raw means...

George Schaub  |  Mar 12, 2014  |  1 comments

The hybridization of cameras and phones has produced various manifestations of late, one being the Samsung Galaxy S4 Zoom, reviewed here a few months back, which looks like a smartphone with a camera/lens grafted onto it’s front. The Galaxy NX comes at this combination from the other direction, a decidedly camera-like design with built-in Android functionality, sans phone capability, but with all the other amenities and accouterments included. And there’s no confusing this with a smartphone, what with it being 3x5.5x2.25 inches in size, the benefit being a very large back display, 4.77” on the diagonal and width to height ratio of 2.5 x 4 inches.

George Schaub  |  Nov 27, 2013  |  0 comments

The Galaxy S4 Zoom is what you might call a “multi-personality” device. Phone, camera, Browser, game device, gateway to all the Android apps, GPS, mapper, email connector--it’s all of that and more.
I say “multiple” because while the initial face of the unit looks like half point and shoot camera/half phone, one pasted atop the other, there is a lot more going on under the hood. That includes all the current connections one could imagine and access to the entire Android set of apps,from camera functions to finding where you can get a decent latte in any city or state or country you might find yourself. One can listen to music; watchvideos; browse the Internet, get email, tap compatible phones (literally) to share content; and send and receive via any social media you could imagine.

George Schaub  |  Oct 18, 2004  |  0 comments

Elinchrom has introduced the Style 400 BX portable compact flash units. Two new
inexpensive kits, street priced at $995 and $1098, incorporate the latest innovations
in Multivoltage technology with all the accessories necessary to plug-in anywhere.



Featured in both kits, the EL 400 BXECON and EL 400 BX KIT, is the new Style BX
400 Multivoltage with automatic voltage detection from 90 V--260 V, a rapid
recycle time of 1 sec. in a lightweight monobloc weighing only 4.3 lbs.. Additionally,
both kits offer the new digitally stabilized 400BX monoblocs along with all the
lighting equipment and accessories necessary for capturing the most demanding
images while at the same time giving the photographer the ability to travel quick
and light. The EL 400BXKIT adds two Manfrotto light stands and a convenient Stand
Bag.



The new Style 400 BX Multivoltage compact flash unit features power ranges of
25 - 400 Ws and has the ability to work with 5 f-stops, ranging from 1/16 to 1/1.
The 400 BX is lightweight, weighing only 4.3 pounds (1.95 kg) and is compact for
in or out of studio use, with dimensions of 21 x 14cm (length x diameter). The
new head kit includes a plug-in omega flashtube precisely positioned 20 mm from
the internal reflector. The positioning helps avoid uneven illumination that often
results from non-concentric or U-shaped flashtubes.



Web: www.bogenimaging.us


...

George Schaub  |  Jun 21, 2005  |  0 comments

Now I know how stagecoach drivers felt when they saw those first rail lines
being laid over their routes. The recent announcement that Kodak would be discontinuing
their silver black and white papers didn't come as much as a shock as
an inevitability that one always hopes will not be manifest. With inventories
expected to last a few months, we're now witnessing the disappearance
of venerable brands such as Polycontrast IV, Azo and Polymax Fine Art, Kodabrome
II and Portra, even their "Digital Black and White" paper, which
was used for digital printers. According to a Kodak spokesperson, Kodak has
seen a cumulative drop in black and white paper buying of 25% per year over
the past few years and could no longer justify being in the market. We also
learned, by the way, that Kodak black and white papers had of late been produced
in Brazil, being packaged from rolls in Rochester. The spokesperson did stress,
however, that Kodak black and white film and chemistry was not on the chopping
block and that Kodak sees silver photography as still extremely viable.

...

George Schaub  |  Jul 11, 2014  |  First Published: Jun 01, 2014  |  0 comments

If you, like me, had come to associate “watercolor” with a stippled and rough surface, my first tip on this paper is not to be concerned with the moniker. It is a somewhat rough surface, but more in its tooth than its topography, and is more akin to high-quality painting stock than some of the stuff that had been passed off as watercolor inkjet in the past. And while this paper might be aimed at the “fine art” market (reproduction of paintings and drawings for portfolios and presentation and possible sale) it is also quite apt for photographers who want rich color on an “archival,” matte/textured surface. Epson describes the surface as “unique,” and you can feel and “hear” the surface as you run your thumb over it. I found that while the surface texture is somewhat rough it does not intrude on the ink laydown; in fact, it seems to enhance it.

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