Lens Reviews

Olympus just announced the M.Zuiko Digital ED 90mm f/3.5 Macro IS Pro for Micro Four Thirds systems. Shutterbug has obtained an early sample and is currently preparing a full review. In the meantime, here’s a rundown on this exciting new lens.

If you’ve ever wondered whether newer and, typically, more expensive versions of lenses are that much better than their predecessors, the below video is a fun comparison. In the clip, swimwear and lingerie photographer Anita Sadowska compares the new Sony FE 24-70mm f/2.8 GM II lens from this year to the older “Mark I” version.

The 27-ounce 90mm f/1.5 manual focus lens from Mitakon Zhongyi Optics is a handful of glass, that’s for sure. We reviewed the Speedmaster on a full-frame Sony mirrorless body and formed some strong opinions. Read on…

Since street photographers are always debating which lens is best to capture candid scenes and portraits, Pierre T. Lambert decided to put a few to the test. In the below video Lambert compares the Sony 14mm f/1.8 Vs. 35mm f/1.4 Vs. 85mm f/1.8 to see which comes out on top for street photography.

The Tamron 28-75mm f/2.8 zoom for Sony E (Model A036) won the prestigious EISA Award for 2018-19 and is highly regarded as a fast, sharp option for Sony’s full-frame mirrorless cameras. Three years on, Tamron announces the G2 (second generation) Model A063 with the same zoom range and aperture.

What’s been improved? We look at the two zooms side-by-side with a critical eye.

Tamron just announced the 18-300mm (27-450mm equivalent) zoom for Sony and Fujifilm cameras. It’s Tamron’s first lens in Fujifilm X-mount and their 15^th for Sony mirrorless (counting both full-frame and APS-C camera models). Measuring less than 5 inches long, focusing closer than 6 inches and selling for $699, there’s a lot to like. Here’s our hands-on review of the 18-300mm in Sony mount complete with several sample images.

My 35mm f/2.8 Tokina AT-X M35 PRO DX Macro was discontinued in 2010, but I’ve always liked it because it’s small, it focuses quickly and it’s extremely sharp. It’s for Nikon cameras with APS-C size sensors and was a constant companion for my now-retired 12-megapixel Nikon D90. So I decided to see how it performed on my full-frame Nikon Df. Man, did I get a surprise!