Lens News

Hands on with a Hasselblad X1D II 50C medium format mirrorless camera, Hasselblad 24mm f/4.8 HCD wideangle lens and the enigmatic Hasselblad XH Converter 0,8. Does this change our attitude toward converter lenses? Continue reading to find out.  

7Artisans just released the updated Mark II version of their popular 7.5mm f/2.8 Fisheye lens and it’s about the most fun a photographer can have for $139. We borrowed an early sample in Fujifilm X mount and here’s what we discovered.

Conventional wisdom is that landscape photography calls for wide-angle lenses. Another “rule” is that if you shoot with long lenses a tripod is absolutely essential. But this quick tutorial takes a somewhat radical approach that you may find surprising.

One question we’re frequently asked is, “Should I buy a zoom lens or a prime?” And like many age-old questions, the answer is “It depends.” To give you thoughtful response we’d want to know your budget, the type of photography you do, whether or not you frequently shoot in low-light conditions, and how much gear you’re willing to lug around in the field.

Last week we discussed the basics of depth of field, a key concept enabling you to capture better images. Today we’ll explore the topic further, through the eyes of an experienced pro.

An ultra-wide-angle lens would seem to be a fun tool to use for landscape photography, but it comes with some inherent problems that are hard to avoid, explains landscape pro Mark Denney in the below video. When Denney switched last year from a Sony full frame camera system to a Fujifilm crop sensor camera, he ended up buying a Fujifilm 8-16mm lens, which is the equivalent to a 12-24mm lens.

One of the many benefits of modern mirrorless cameras is that they enable you to use vintage lenses of various brands with the use of simple and affordable adapters. So if you have an assortment of old legacy glass gathering dust, it’s possible to get started as soon as you acquire a new camera, without immediately investing in native lenses.