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There are several reasons why unsightly white fringing appears in photographs. Sometime the cause is a high-contrast scene, like dark trees against a bright sky. These ugly halos may also result from heavy-handed editing, such as too much Sharpening or Clarity.

When shooting scenes with a wide range of tones, it can be difficult to balance exposures and details across highlights, midtones, and shadows. One way to do that, that’s recently fallen out of favor, involves High Dynamic Range (HDR) adjustments than often deliver unnatural results.

A common approach to nature photography is to strive for vibrant skies and foregrounds full of color. But as you’ll see in today’s tutorial, taking a different approach will often make your images stand out from the rest.

The Canon RF 50mm F/1.2L USM lens retails for about $2200 while the RF 50mm F/1.8 STM lens sells for just $200. So, what's the difference between these two 50mm lenses aside from about $2K? A lot, according to Jay P Morgan of the Slanted Lens who pits the two optics against each other in a head-to-head shootout in the video below.

Colorful sunset scenes and moody long-exposure photos are among the most popular subjects for nature and landscape photographers. But what if you’re at a great location in bright light during the day, and can’t wait around for the sun to drop below the horizon.

You may have noticed a common refrain in the tutorials we post from experienced photographers; namely, to make really special images you have to be adept at visual storytelling. And one powerful method for engaging a viewer is by employing a few creative compositional tricks.

This is the best new bag I’ve seen in 2021, hands down. Innovative and functional design, great cosmetics and durable but light-weight material—and it offers practical modular expansion. Yep, this bag is definitely a keeper.