There was much buzz today about the forthcoming EOS R3, a full-frame mirrorless camera that Canon has teased with two recent development announcements. One person who actually got to see the Canon R3 up close is the UK-based journalist Gordon Laing, who shot the video below about his experiences around this highly anticipated camera.
When using a Color Adjustment Layer to refine an image, some photographers turn to Photoshop’s Hue/Saturation Tool while others prefer Selective Color. So which method is best? Watch the video below and find out.
It’s not often we come across a useful accessory that’s unfamiliar to many of our readers. But this wearable umbrella from Canope is an extremely interesting and unique product for outdoor photographers shooting in bad weather.
One way to achieve perfect exposures under contasty lighting conditions is by applying a bit of post-processing wizardry. The problem is that some methods can be either convoluted or unsatisfactory, unlike the quick and easy approach you’ll see below.
Camera lens shootouts are always fun especially when comparing a popular focal length and aperture. It's even more fun when they're led by swimsuit photographer Anita Sadowska and she's photographing a beautiful model on the beach.
Whether you call Flying Saucers by their traditional name or use the Pentagon’s new nomenclature (Unidentified Aerial Phenomena), capturing a UFO/UAP video or digital image is easier than it sounds. So grab your camera and tinfoil hat and join the fun.
Many photographers prefer to shoot portraits outdoors, either because they don’t have a studio or they like the look achieved with available light. There’s a bit more to this method than you may think, but it’s all explained clearly in the behind-the-scenes video below.
Dealing with ever-changing light and maximizing depth of field are two of the biggest challenges when making landscape photographs. Tonal values often range from dark shadows to bright sunlit areas, and some scenes call for sharply rendered areas from foreground to background.
Photographers don't, necessarily, need expensive and cumbersome artificial lighting set-ups to capture great portraits. A fabulous source of light you can take advantage is often right in front of you: window light.
Let’s face it. We all do our best to capture compelling photographs, and sometimes it’s difficult to be objective about the results. In fact, one of the challenging aspects of our craft is determining whether a photograph is worth editing or if it should be trashed.
So you forgot to bring a polarizing filter, and the blue sky in your photograph doesn’t look as awesome as it did when looking through the viewfinder. This is a common concern that can be easily fixed with a few quick clicks in Lightroom, as you’ll see below.
Yesterday we shared a lens shootout with you where a photographer compared capturing portraits with a 35mm lens vs an 85mm lens. If you decided that an 85mm is preferable to your shooting style, here's a great tutorial on how to get the most out of shooting portraits with that prime lens.
If your creative juices are running low, and you need a jolt of inspiration, the quick video below is exactly what you need. You’ll pick up a bunch of simple tips, in less than three minutes, for creating eye-popping images than make people ask, “How did you do that?”
What is the best lens for portrait photography? This is a debate that has raged through the ages amongst photographers. There are quite a few focal lengths and apertures that are the favorites for shooting portraits, but many photographers agree that prime lenses are the way to go.
Landscape photographers tend to head out in the field with a bunch of gear—everything from filters and a sturdy tripod to an assortment of lenses. The challenge often occurs when you come upon a beautiful scene and can’t quite decide on which lens to pull out of your bag to get the best shot available.