Lighting News

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Cynthia Boylan  |  Mar 02, 2015  |  0 comments

Profoto just released the new, more compact B2 off-camera flash along with a bevy of light shaping tools, designed for fast, easy on-location photography. The Profoto B2 is the follow-up to the pioneering B1 off-camera flash from 2013, which combined the portability (and ease-of-use) of a speedlight with the performance of a pro monolight.

Steve Bedell  |  Sep 19, 2011  |  First Published: Aug 01, 2011  |  0 comments

One of the biggest advancements in recent years in flash photography has been the ability to use your camera-compatible flash off-camera and wirelessly. Canon, Nikon, and others have developed their own systems where you can control multiple units that not only fire at the same time but also can be put into groups with their own settings.

Jack Neubart  |  May 22, 2015  |  0 comments

Light is a precious commodity in close-up and macro photography. The closer you get to your subject, the more light you lose through lens extension. Move to within inches of the subject and your camera or body may block the existing daylight. Also, the closer you get, the more depth of field you lose, so it would help to stop down. All of this translates to a need for additional light—in other words, a supplementary light source. What’s more, when shooting live critters and wind-blown plants, we may also need that light source to freeze subject movement, or at least provide shutter speeds that are fast enough to contain movement. To meet these needs, I’ve often turned to a macro ringflash and, alternatively, a macro twin flash. An economical alternative is an LED ringlight.

Ron Leach  |  Apr 18, 2016  |  0 comments

Reuben Wu is an artist with the fascinating vision of creating otherworldly landscape photographs that evoke both science fiction and 19th century Romantic paintings. He does this by selectively light-painting his scenes with a powerful done-mounted light.

Joe Farace  |  Dec 20, 2011  |  First Published: Nov 01, 2011  |  0 comments

Rime Lite (www.rimeliteusa.com) monolights are manufactured by Hyundae Photonics Co., Ltd., a company that’s been building high-quality studio lighting gear in Korea since 1981. They’re now being distributed in the U.S.A. by Dynalite (www.dynalite.com). The Fame Monolights are available in three different models that deliver 200, 400, and 600 watt-second output. (To see technical specifications on the three Fame monolights, go to the Instant Links section of our website, www.shutterbug.com, for this issue.) The monolights feature a circular Xenon flash tube and a modeling light that’s protected by a hard vented glass cover that easily screws on or off. Two knobs on the back of each light allow you to continuously vary the output for either the flash or the modeling light. A cluster of four LED-illuminated buttons let you turn on (or off) sound, the modeling light, the built-in slave, or the ubiquitous “test.”

Cynthia Boylan  |  Feb 02, 2015  |  0 comments

Rogue Photographic Design has updated their XL Pro Lighting Kit, adding new attachments and various improvements that include: a new Strip Grid, lighter weight materials, quicker attachment and a travel bag. This lighting system includes the XL Pro Reflector with two quick change attachments that allow users to create a softbox or a strip grid.

Jack Neubart  |  Aug 29, 2011  |  First Published: Jul 01, 2011  |  0 comments

Many of us use the speedlight’s built-in kicker panel to add catchlights to the eyes and thereby give the subject a more animated look. Regrettably, this built-in device plays a marginal role in filling in shadows. So we turn to much larger, more functional bounce panels, and although they offer distinct advantages, these third-party panels may not be as flexible as we’d like. Enter Rogue FlashBenders from ExpoImaging (www.expoimaging.com). These panels quite literally lend a unique twist to speedlight photography.

Joe Farace  |  Oct 18, 2013  |  First Published: Sep 01, 2013  |  0 comments

In this test, Joe Farace tackles a higher-end LED light source that he adapted to still photography work. In it you will find technical sidebars outlining how we will test LEDs for the still photographer in the future. We offer this somewhat tech-heavy review as both a close look at this unit and a primer on LED output and LED lighting, which, as Joe states, will become increasing important, and prevalent, in studio and location work for the still shooter.—Editor

Joe Farace  |  Oct 15, 2012  |  First Published: Sep 01, 2012  |  1 comments

One trend much in evidence for lighting these days is the use of LED as a light source. Rotolight, distributed in the US by R.T.S. Inc. (www.rtsphoto.com), has several new products in this space, beginning with their RL48-B RingLight. As a continuous light source, the Rotolight is useful for video or still photography. The basic RL48-B includes a filter holder and a Lee Filters Calibration Filter Kit (CTO: 205, 223, and 285; ND/Diffusion: 298, 209, and 216).

Joe Farace  |  Feb 05, 2016  |  0 comments

LED lighting is all the rage with the cool kids and why not? It’s continuous and that’s important for new photographers or anyone wishing to capture hybrid—video and still—imagery. It’s also literally cool, with no eyebrow-melting hot lights making subjects uncomfortable.

C.A. Boylan  |  May 06, 2014  |  First Published: Apr 01, 2014  |  0 comments

Nikon COOLPIX L830
The COOLPIX L830 is an ergonomically designed high-ratio zoom camera with a 3” high-resolution tilt LCD monitor. It features a 34x optical zoom range plus a 68x Dynamic Fine Zoom (an enhanced type of digital zoom) range and a 16MP backside illuminated (BSI) CMOS sensor. It records Full HD (1080p) video, even in low light, and reduces the danger of camera shake with the aid of the Lens-shift Vibration Reduction (VR) system. The L830 model’s intelligent features include Easy Auto mode and Smart Portrait System as well as 18 Scene modes and a selection of special effects. The model is available in black and red and has a retail price of $299.95.

C.A. Boylan  |  Mar 13, 2014  |  First Published: Jan 01, 2014  |  0 comments

Nikon SB-300 Speedlight
Small enough to fit into a shirt pocket, the SB-300 Speedlight provides more power and coverage than a built-in flash. Compatible with both Nikon D-SLR and Advanced Performance Coolpix cameras, it covers a wide-angle 18mm in DX format and operates via simple on-camera controls. The SB-300 tilts up to 120 degrees, allowing for more flattering portraits and even exposures. Powered by two AAA batteries, the SB-300 features thermal cut-out protection to prevent overheating when capturing rapid flash images in succession. The suggested price is $149.95.

Joe Farace  |  Oct 01, 2009  |  0 comments

Safari Luminations is a family of monolights and light-modification products aimed at the new shooter or someone getting started in studio photography.

Dan Havlik  |  Jan 31, 2019  |  0 comments

Shooting outdoor portraits in natural light seems easy, right, especially on a sunny day. Well, it may be easy to shoot them, but you won’t, necessarily, get flattering shots if you don’t know how to use the sun to your advantage.

Jack Neubart  |  Apr 29, 2014  |  First Published: Mar 01, 2014  |  0 comments

A handheld meter is not just for studio work. Tricky lighting situations, high contrast, and unusual subject tonalities can often pose problems for camera metering systems, as advanced as they are. Beyond that, the camera meter can’t help with studio flash.
The first step toward taking tighter control with a broader range of lighting situations is to use a handheld meter. Enter the new Sekonic LiteMaster Pro L-478DR (PocketWizard version). Out of the box, it measures incident light. This exposure meter will also prove valuable when working with studio (or any manual) flash or a mix of ambient light and flash.

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