Outdoor photographers often spend time in Photoshop pumping up the intensity of pale blue skies in their images. But in the video below you’ll how to get the job done in camera with a few simple settings.
Using filters to directly capture infrared images has never been easier, but not all digital cameras have this ability and some have only a limited capability. If your camera doesn’t work with IR filters and your budget doesn’t permit converting your SLR for infrared-only capture, maybe it’s time to consider converting some of your existing RGB images into an IR “look” using emulation software.
Software programs for imaging can be simple or complex. The complex ones offer a steep learning curve and allow you to refine images to your heart’s content. Simple programs, although complex under the hood, allow you to make quick choices to create a wide variety of looks. And while they can be used for “instant” art, they also allow for nuances that multiply your options a thousand fold, using sliders that modify each look from the menu. One such “simple” program is Alien Skin’s Snap Art 3 (www.alienskin.com, $199 or $99 for an upgrade from previous versions). This is a plug-in and a standalone program, which means it works within the architecture of Adobe’s Photoshop, Lightroom and Elements as well as other image processing programs so you can create Layers from the work that can be further refined (leading to many more options) or within Snap Art 3 alone.
The power of Adobe's imaging software never ceases to amaze. In the below video, software guru Colin Smith of photoshopCAFE demonstrates how to use a time-saving tool in Photoshop, Lightroom and Adobe Camera Raw that fixes the color of a photo instantly in a single click.
Earlier this week we posted a tutorial explaining how to accelerate the editing process in Lightroom by creating custom Presets that you can use over and over again for different types of images. Today we're taking things further with an unfamiliar method that one pro says will "instantly improve your workflow."
One of the most common questions pro photographer Mark Denney gets from students at his landscape photography workshops is regarding focus stacking. If you've been curious about focus stacking but don't know where to begin, check out Denney's tutorial video below on "Focus Stacking Made Easy."
Unmesh Dinda is one of our favorite image-editing instructors, with a huge international following on his YouTube channel. So when Dinda speaks, we listen.
Early last week we posted an overview of what one image-editing expert considers three standout features in the recent update to Lightroom, one of which is the new Blur tool. Today were taking a deep dive into that powerful feature, courtesy of the experts at the Park Cameras YouTube channel.
Adobe is constantly adding new features to Lightroom so it’s easy to miss some of the coolest fresh stuff. That’s why we like to highlight cool new Lightroom tools that you may have missed.
Pro photographer Mark Denney is an expert at uncovering all the best secret tricks in Lightroom and in his latest video he says he’s found the program’s “most hidden editing secret” yet. Best of all, this overlooked tool in Lightroom is incredibly useful.
Landscape photographer Mark Denney is someone who is really enjoying Adobe's recent update to Lightroom. In fact, he likes one feature so much, he just made a video calling it the best new set of editing tools in Lightroom for developing landscape photos.
If you confront an absolute mess when opening your Lightroom Catalog, you’ve come to the right place. In the video below you’ll learn how to clean up that chaos for a faster and more convenient workflow.
Macro season is in full swing, with colorful flowers, interesting insects, and other creepy-crawlies just about everywhere you look, so if you still haven’t dusted off your trusty close-up lens, now is the time.
Adobe is constantly upgrading Lightroom with impressive new features and a host of artificial intelligence (AI) capabilities that make image processing faster and more effective than ever. While this rapid evolution is great for all of us, it does mean we have to occasionally rethink how we use this powerful software.
Creating a web page for your images these days is fairly easy, and there are numerous web apps available that offer a wide variety of colors and backgrounds. But organizing your images before you even consider the template (or “skin” as it is called in the trade) is perhaps the biggest challenge, given the proliferation of images we all have made with various cameras and mobile devices stored on flash drives, hard drives, and even memory cards.