Have you ever captured a photo, looked at it on your camera’s LCD, and said to yourself, “Wow! This looks perfect,” only to view the image closely on the computer and find a bunch of distracting imperfections? If that’s a familiar scenario, this tutorial is for you.
Back in the “old days,” photographers determined winning images from losers by examining transparencies on a light table, or spreading out prints on a desk. In the digital age, this culling process is equally tedious, but it’s accomplished on a computer. In the video below you’ll see one pro’s unique approach to the task.
When one of our favorite image-editing instructors says, “This is one of Photoshop’s most powerful features,” it’s time to stop and listen. And when he demonstrates how to use this tool in barely five minutes, we’re definitely paying attention.
So you just spent a day photographing birds or other forms of wildlife and returned home expecting to be impressed by the images you made. But low and behold, the photos you see on the computer aren't nearly as compelling as you thought.
Yesterday we brought you a timesaving tutorial for streamlining Lightroom so the workspace displays all the tools you use in the order you want, with everything else hidden from view. We have another great trick today, this time it's a simple hack for using the Histogram to achieve perfect White Balance.
Here’s a quick Lightroom tutorial that that will help you create more impressive portrait photos by using a simple Split-Toning technique to control the hues of both highlights and shadows in an image.
Most landscape photographers know that a dramatic realistic-looking sky is often a key element in captivating photos. Today you'll learn a simple-two step edit that provides compelling results without sky replacement, image stacking, or other complicated procedures.
Hopefully you’ve become proficient in Lightroom by following the tutorials we post regularly. But proficiency with various tools only gets you so far if you’re not making adjustments in the correct order.
Last week we featured a straightforward Lightroom tutorial explaining how to recover shadow detail in underexposed photos. Today we’ll help you solve the opposite challenge; namely, dealing with images that are far too bright.
Even if the nomenclature is unfamiliar, you’ve no doubt experienced ugly color fringing that sometimes appears around the edges of objects in a photograph. Known as “chromatic aberration,” this effect typically occurs in high contrast images because premium lenses can’t always focus wavelengths of all colors at a single focal point.
Have you ever noticed when employing masks that ugly artifacts appear around the periphery of the selection? It's a common problem that can be quickly resolved by following the quick and easy tips in this tutorial from the Photoshop Café YouTube channel.
If you’re the type of photographer who like saving a few bucks here and there, you'll love the premise of today's Lightroom tutorial: "Do NOT buy presets. Make your own, it's simple to do." And believe it or not, even inexperienced users can quickly get the job done by following the straightforward advice.
Earlier today we posted a tutorial with a foolproof in-camera method for shooting photos with perfect exposure. But what if you want to improve photos you shot in the past that don't quite hit the mark? The lesson below from the FJR YouTube channel demonstrates how easy this is to do with Lightroom's powerful Dodge and Burn tools.
Yeah, we know. Supposedly all serious photographers shoot Raw, for very good reasons. But there are times when shooting and editing JPEGs make sense. Perhaps your camera is set to capture both a JPEG and a Raw file every time you snap the shutter, and somehow you lost the Raw file or it became corrupt.
This is the perfect time of year for macro photography, with vibrant flowers, colorful insects and other creepy crawlies just about everywhere you look. In fact, you can often find great subjects in your own backyard.