Travel Photography How To

In today’s mobile-obsessed society there’s one thing we carry with us at all times (even if we forget to bring our wallet). And that’s the smartphone we use for everything from checking the weather, keeping up to date on social media, and taking photos when a “real” camera isn’t available. Some folks even use their phones to make telephone calls.

Summer offers many opportunities for landscape photographers, one of which is dramatic lightning that often accompanies thunderstorms this time of year. With a few basic techniques for photographing electrical storms, it’s easy to capture truly epic landscape images.

Most photographers turn to wide-angle lenses when shooting landscape images. But as you’ll see in this quick tutorial, there are times when a longer focal length will deliver superior results.

With everyone taking selfies these days, why are so many of these self-portraits so terrible? And when couples shoot selfies together while traveling (such as on vacation), why do they only seem to capture their faces and none of the scenic surroundings?

Although everyone loves travel photography, not everyone possesses the skills to turn that passion into a viable business. This month we spoke with six photographers working (and making money) in the travel photography business: Joe Becker, Todd Gustafson, Blaine Harrington, Jen Pollack Bianco, and David and Lina Stock.

Under most circumstances we strive for sharp images by using a tripod and employing proper exposure settings to minimize camera shake. But as you’ll see in the video below, it’s possible to make beautiful images by intentionally moving the camera while using slow shutter speeds,

Whether you’re a nature photographer, travel shooter, or portrait specialist, you’re no doubt familiar with several “Rules” of composition that are intended to help add impact to your work. There are two common themes running through of all of these guidelines. One is to grab the attention of those looking at your photos, and the other is to guide a viewer’s eye through the image in the way you intend.