Travel Photography How To

The official first day of winter is still more than a month away, but we're already focusing on mild, sunny weather and the June 7-8 celebratory opening weekend of the colossal Photoville Festival that will run through June 22, 2025. Now in its 14th year and promising to be bigger and better than ever, the free, public event is now in its planning stages and cordially invites you to submit your visual story proposals for consideration.

Submit your proposal today to be a part of New York’s favorite photo festival dedicated to global visual storytelling in the heart of NYC!

I learned photography in the film days, and when the huge change to digital came along, I changed not only my gear but the way I see. I used to have to see in terms of very specific criteria of what would work within the ISO range of my film and what the film could record in terms of light and shadow. Low ISOs meant I couldn’t get enough depth of field, or a tripod was needed, or I had to light something because there wasn’t enough information in pictures that had incredible shadow detail. High ISOs often meant an unacceptable level of grain and bad color rendition. As a result I passed up a lot of situations that got my attention but were beyond the capability of my film to capture.

Often people will ask me, “How do you get that great color in your photos?” I appreciate the compliment, but it’s usually followed by, “You must do a lot of retouching.” Actually I don’t. I will do a little color enhancement, but how color looks in my images has to do partly with how I set certain camera controls, how I control or use lighting in the scene, and how I compose the photograph.

I’ve seen my share, and I expect you have too, of people who basically spray the area hoping to get a keeper. I’ve also seen photographers who wait…wait…and wait some more to catch that decisive moment. I’m neither of those types. I think of what I do as mindful shooting: I know what I want the photo to look like; I preconceive and previsualize the moment; I control the situation as much as I can to get that moment; and I’m prepared to work with what I’m given and what I can’t control in order to get a good result.

At one time or another we’re all tourists somewhere. There’s even the old suggestion that to be a better travel photographer you might pretend to be a tourist in your own hometown. Seek out points of interest and find unusual ways of photographing them and you’re on your way to better images when you get to Paris, London, Toronto, New York, or wherever you’ll someday be headed.

What makes a great travel photo? Many things, of course, but we’ve found the best images always tell some sort of story. For this assignment, we weren’t simply looking for pretty pictures from a vacation. Beautiful photos are all well and good but they’re a dime a dozen these days. Instead, we were seeking unique travel photos that included some interesting elements in the frame to give a sense of place or context. We wanted to imagine we were standing right beside the photographer, whether they were taking a photo on a dusty street in Marrakesh, or turning their camera toward a vast plain in Montana. While neither of those locales are featured in our 10 favorite images from readers, the places that are presented here look pretty awesome.