Inexperienced wildlife photographers often struggle to properly expose birds, whether they're sitting still on a tree or in flight, and underexposed subjects are the typical concern. This problem is particular acute when our feathered friends are depicted against a bright sky.
One of the biggest challenges for landscape photographers is exposing a scene in a manner that accurately captures all the tones from deep shadows to highlights. A modern camera with a broad density range helps, but even then editing is often required.
There are a number of reasons that landscape and other outdoor photos may be underexposed. Perhaps you neglected to add the necessary EV compensation, or an overly bright sky biased the exposure.
It can be difficult to nail exposure when photographing complicated landscape scenes, especially when snow covers the ground and can easily "fool" your camera's light meter. This tutorial from the PHLOG Photography YouTube channel provides a quick-and-effective fix using Lightroom's Tone Curve tools.
Very few experienced landscape photographers head out in the field without a polarizing filter in their bag. That's because these affordable accessories can be used to darken pale skies, enhance saturation, and remove unwanted reflections that spoil a shot.
One of the most daunting challenges faced by landscape shooters is optimizing sharpness in scenes with important objects in the foreground, midrange, and background of the frame. That's because even if you stop your lens all the way down to f/22 there's insufficient depth of field to maintain sharpness from here to there.
If you’ve never tried your hand at wildlife photography, we hope to change that today, with the simple primer below that covers all the basics. You’ll pick up a variety of technical tips, shooting advice, and suggestions for finding appropriate subjects wherever you happen to be.
On my recent visit to Africa as a photo tour pro, I decided to capture the beauty and the wildlife of the Serengeti totally mirrorless. Considering my recent move to the format, the trip was confirmation of how committed I am to it, as I took only my mirrorless Nikon Z cameras—three of them, in fact: my Z6, Z7, and the Z7 I had converted to infrared. Yes, I'm all in.
One of the first bits of advice offered to less-experienced photographers is to “get closer to your subject.” More advanced shooters know that moving in tight tends to avoid background clutter and emphasize the primary subject. Macro (or close-up) photography takes this tenet to the extreme and makes possible some very unique imagery as long as one owns the required equipment and employs proper techniques.
We've all captured bland landscape photos with unimpressive cool tones, and that's usually because the light just wasn't right. While it's often impossible to return on a better day, today's Lightroom tutorial explains a simple Lightroom technique for giving these images an eye-popping Golden Hour look.
We've all captured what we thought was a great photo, only to pull it up on the computer and discover it's not nearly as compelling as expected—particularly when shooting outdoors when there are several challenges to overcome.
Infrared photography is a popular method of transforming ordinary scenes into images with a unique, otherworldly look. Some photographers pursue this technique by paying to have one of their camera converted to infrared, while others purchase an IR lens filter to mimic the effect.
We typically strive for photos with precise sharpness, vibrance, and impressive color balance when shooting outdoors. But in this tutorial from one of our favorite instructors you'll learn why and how a subdued foggy effect can draw attention by conveying an ethereal, atmospheric mood.
The usual goal when editing our images is to emphasize the capabilities of today’s modern cameras by adjusting colors, contrast and other key variables to achieve a clean, vibrant, natural look. The Photoshop tutorial below switches things up by explaining how to give images a nostalgic appearance with beautiful vintage colors.
Outdoor photographers are at the mercy of Mother Nature, and one aspect of a scene that can make or break an image is the appearance of the sky. Sometimes we confront dull overcast conditions, other times the sky is a flat blue, and perhaps the best situation is a bright blue sky with billowing clouds.