Nature photography may encompass grand landscapes or large wild animals, but it can also incorporate the smallest of objects. There is an entire delicate world of light, beauty, color and form in macro photography. Wonders that can be documented while on vacation on a tropical island, in a national park or even in your backyard. I have spent mornings lying in a bed of wildflowers, moving no more than a few feet, recording everything from the dew on a spider web to the shape of a purple iris. I am often surprised and rarely disappointed.
Would you like to try your hand at close-up photography but can’t afford an expensive macro lens? Well consider this: An affordable set of extension tubes will turn just about any lens you own into a close-focusing macro lens.
This is a great time of year to make macro magic, as there are flowers, insects, and other small creatures just about everywhere you look. All you really need is a close-focusing lens and the following tips from Swedish pro Micael Widell.
Whether you’re photographing exotic beetles in the rainforests of Ecuador like entomologist Phil Torres, or shooting more common insects in your backyard, the video below will help you capture dramatic images that look like they were shot in the studio.
When most photographers think of macro photography the first things that comes to mind are the balmy days of spring, and the warmth of summer. During those times interesting subjects abound, from budding plants and blooming flowers to colorful insects and other creepy-crawlies just about everywhere you look.
All outdoor photographers have experienced the dilemma of coming upon a scene that would make a stunning image, were it not for the dull light. But all is not lost, as you’ll see in the video below, demonstrating how to magically transform a flat photo by painting with light in Photoshop.
Serge Ramelli is a French landscape photographer who occasionally experiments with portrait composites. In the Photoshop tutorial below he shows you how to shoot and combine two shots to make one epic “Landscape portrait.”
Many of history’s greatest photographers gained their fame making b&w landscape images. With today’s modern cameras, and the digital darkroom, most of the goals remain the same but techniques often differ.
Blue hour, that magical time just before sunrise or sunset, is usually a great time to shoot. With the sun just below the horizon, beautiful blue tones bathe the landscape and create a dreamy soft glow.
One of the challenges with all forms of outdoor photography is that scenes often have a wide-range of tones—often beyond the density range of your camera. The best way to deal with situations like these is editing selective portions of the image.
Landscape and travel scenes can be particularly striking when captured in black and white. Some photographers set their camera to monochrome so they can see the effect on the LCD screen, while others prefer to shoot in color and make the conversion during the editing process.
Most outdoor photographers have had the unfortunate experience of planning a trip to a spot full of great opportunities, only to confront disappointing dull light when arriving at the destination. So what to do? One option is to accept defeat and plan a return trip. But another is to get the gear out, make some images, and use the following Lightroom trick to salvage the day.
Do your landscape photos lack impact and fail to appear as impressive on the computer as they did through the viewfinder? If so you’re not alone, and in the video below you’ll learn two simple Lightroom tricks for achieving the compelling look you expected.
Summer means stormy weather, with threatening thunderstorms that offer great opportunities for dramatic landscape imagery—especially when lightning is involved. The challenge to coming up with dramatic photographs is dealing with the complex lighting conditions that electrical storms present.
Not everyone has an opportunity to go on safari to photograph rare and wild animals, but most of us have a zoo nearby which is often the next best thing. The problem is that most images shot at the zoo look like were shot at the zoo.