Wildlife and portrait photographers face similar challenges when it comes to editing their images. That’s because dealing with feathers and fur requires comparable techniques to those used for processing photos of models with flyaway hair.
If you're unfamiliar with the term "ghosting" as pertains to photos, it's basically a type of flare that occurs when stay light reflects off the surface of a lens and make images look hazy with little contrast. It's an unsightly artifact that degrades the quality of an image—particularly when shooting into the sun.
There are times when photos of a beautiful outdoor scene appear flat and dull, and that could be due to bad light, incorrect camera settings, or a myriad of other problems. You can always return on a better day, with your camera configured properly, but why do that if you can transform an unimpressive image into something really special with a few quick adjustments in Photoshop?
Have you ever captured what you thought was a great photograph, only to discover ugly white edges when viewing the image on your computer? These image-killing artifacts are known as “halos,” and today you’ll learn how to quickly eradicate them in Photoshop.
There are numerous reasons you may want to extend the background of a photo, either side-to-side or up-and-down. Perhaps you shot an image in portrait mode and you realize it would look better as a horizontal image. Or maybe it’s the reverse.
Here's a nice little Lightroom tutorial from landscape photography pro Mark Denney that he says will help fix a common problem when post-processing your images. It's all about knowing when to say when while editing your photos as he explains.
Today's Photoshop tutorial addresses a very common problem that many of us encounter when shooting landscapes, environmental portraits, and other photographs outdoors. It occurs when your camera is pointed up or down, rather than flat to the horizon.
Photoshop’s Neural Filters are so amazing that it’s tempting to reach for them first whenever editing images that need work. Despite the magic, however, sometimes a more “traditional" approach is almost as easy and delivers more faithful results.
When reviewing images on the computer, many of us immediately relegate images with boring flat light to the trash. But if you resist the temptation and employ a simple editing technique, you can rehabilitate dull images and turn them into something special.
We've all come upon a beautiful scene only to discover that our images look flat and lifeless. Sometimes that's because the light wasn't quite right, while other times the culprit was operator failure, i.e. we used the wrong camera settings or techniques.
Landscape photography can be difficult depending upon ambient light and the position of the sun. Earlier this week we featured a powerful Lightroom tutorial for "relighting" dull and lifeless images, and today we have another one that addresses a different challenge.
How often have you arrived at a favorite location for a day of landscape photography, only to confront a dull, uninspiring sky? If you’re like most of us, the answer is “more than once or twice.”
Even if your landscape photo has a lot of things going for it, an overcast or flat sky can make the image look dull. Fortunately, there are a few tricks you can do in Lightroom to make a boring sky in a landscape photo go from drab to fab in no time.
One of the biggest challenges for landscape photographers is exposing a scene in a manner that accurately captures all the tones from deep shadows to highlights. A modern camera with a broad density range helps, but even then editing is often required.
There are a number of reasons that landscape and other outdoor photos may be underexposed. Perhaps you neglected to add the necessary EV compensation, or an overly bright sky biased the exposure.