One of the first bits of advice offered to less-experienced photographers is to “get closer to your subject.” More advanced shooters know that moving in tight tends to avoid background clutter and emphasize the primary subject. Macro (or close-up) photography takes this tenet to the extreme and makes possible some very unique imagery as long as one owns the required equipment and employs proper techniques.
We've all captured bland landscape photos with unimpressive cool tones, and that's usually because the light just wasn't right. While it's often impossible to return on a better day, today's Lightroom tutorial explains a simple Lightroom technique for giving these images an eye-popping Golden Hour look.
We've all captured what we thought was a great photo, only to pull it up on the computer and discover it's not nearly as compelling as expected—particularly when shooting outdoors when there are several challenges to overcome.
The usual goal when editing our images is to emphasize the capabilities of today’s modern cameras by adjusting colors, contrast and other key variables to achieve a clean, vibrant, natural look. The Photoshop tutorial below switches things up by explaining how to give images a nostalgic appearance with beautiful vintage colors.
Outdoor photographers are at the mercy of Mother Nature, and one aspect of a scene that can make or break an image is the appearance of the sky. Sometimes we confront dull overcast conditions, other times the sky is a flat blue, and perhaps the best situation is a bright blue sky with billowing clouds.
Experienced landscape photographers know that some intense colors are difficult to deal with during the editing process, especially when processing images captured just as the sun drops below the horizon. In this tutorial from the PHLOG Photography YouTube channel you'll learn how to render these vibrant tones in Lightroom while achieving a realistic effect.
Landscape photographers know that the sky in a scene can make or break a photo. Soft billowing clouds make for compelling imagery, as do dark, threatening skies that evoke a dramatic sense of doom.
This time of year the beautiful winter wonderland provides great opportunities for enchanting nature photos. And even if you don’t live where snow blankets the ground, the barren landscape, devoid of spring, summer and fall foliage, is the perfect time for capturing stark, minimalist images.
You’ve no doubt admired beautiful landscape photos with soft flowing water and cotton-like clouds, and perhaps wondered how they were captured. The typical approach is to use neutral density (ND) filters that significantly reduce the amount of light entering the lens, thereby permitting very slow shutter speeds that create this ethereal effect.
There are all kinds of excuses for unappealing landscape photos: The sun is too bright, weather is awful, no clouds in the sky, dull, drab light—just to name a few. But if you’re serious about photography, and know your way around Photoshop, it’s time to stop complaining and transform these duds into something really special.
If you want to step out of your comfort zone and try something different, you’ve come to the right place. The tutorial below demonstrates a simple creative technique for expressing yourself that’s a lot of fun.
Wouldn't it be nice to monetize the love of photography without quitting your day job? Even if you don't cash in big, a few easy sales here and there will help you afford upgrading your gear while receiving some well-earned recognition in the process.
Every great photo needs a compelling subject to capture the viewer's attention but achieving this goal this be quite challenging when shooting on flat or gloomy days when everything in a scene seems to blend together.
Pro photographer Tom Mackie gets so many questions about how to make photos “pop,” he decided to do a whole video on the subject, which we have embedded below. And while a lot of folks might think all you need is some deft Photoshop skills to get your images to sparkle, there’s really a lot more that goes into it than that.
Have you ever returned from a shoot, thinking you captured a bunch of great shots, only to be disappointed when you review the images on a computer? Well, join the club, because this happens to the best of us on occasion.