Are you struggling to capture consistently sharp images in the camera without resorting to post processing? If so, the video below from the Photo Genius YouTube channel will explain how to solve most common focusing problems in barely 10 minutes.
The frost is on the pumpkin, folks, and that means it’s time to get ready for fall. Here are five things to have in mind as we slip from Daylight Saving Time into the long nights and short days of winter.
French philosopher Albert Camus one said, “Autumn is a second spring, when every leaf is a flower.” For photographers, this sentiment means a season full of beautiful colors and moods to capture.
At my workshops and lectures I am often asked by photographers how I am able to get sharp images at slow shutter speeds out of the affordable 70-300mm zoom I use for backpacking while they are unable to get sharp images with their 70-200 f/2.8 pro lenses. It is true that when it comes to lenses, the price tag does match the quality in terms of durability and sharpness at wide apertures. But by the time my carry-along backpacking lens is stopped down to f/8, it is nearly impossible to tell the difference between photos taken with it and images taken with the most expensive pro lenses. Honestly, the lack of sharpness in photos has less to do with the tele lens you are using than it might seem and more to do with long lens technique.
Have you ever wondered why so many of the best landscape photos from yesteryear and today are presented in b&w? Personal preference aside, it’s a simple fact that some outdoor scenes are more compelling when rendered in monochrome.
Have you ever photographed a scene that looked pretty awesome through the viewfinder, only to discover on the computer that it’s actually sort of dull? Join the club. All is not lost, however, if you watch the quick video below.
Colorful sunset scenes and moody long-exposure photos are among the most popular subjects for nature and landscape photographers. But what if you’re at a great location in bright light during the day, and can’t wait around for the sun to drop below the horizon.
One of the basic tenets of landscape photography is to “be at the right place at the right time,” which is why many of us prefer to shoot at blue hour—just before sunrise or after sunset. But what if you stumble upon a beautiful scene earlier in the day when the light isn’t quite right?
Today’s Photoshop tutorial is all about analyzing boring photos carefully before relegating them to the trash. That’s because a drab image with good composition and a compelling subject can often be transformed into a beautiful scene with a few thoughtful adjustments in Photoshop.
Just so you’re not confused, this is the second tutorial of the day from two German landscape pros with the same first name. This one is from Christian Mohrle of the PHLOG Photography YouTube channel—not Christian Irmler who is responsible for the earlier discussion on using different aspect ratios for more effective landscape photos.
Most outdoor photographers love shooting at Golden Hour, when soft warm tones bath the landscape before the sun disappears below the horizon. Unfortunately it's not always possible to control when we come across an epic scene, and sometimes that happens earlier in the day when light is less than ideal.
Many photographers strive for images with bright vibrant colors that are saturated to the max. But taking a more subtle approach can deliver beautiful results, with soft pastel colors that stand out from the crowd.
Some photographers shoot landscapes, while others concentrate on wildlife or travel imagery. But you can take your outdoor photography to the next level by being less of a purist and combining two or three of these disciplines in your work.
The Orton Glow effect is popular among landscape photographers for giving images a dreamy, ethereal look that really stands out from the crowd. There are a number of ways to get the job done—some more complicated than others.
We’ve all had the misfortune of traveling to a beautiful destination with a lake in the foreground of a stunning landscape, only to discover boring light, a drab cloudless sky, and water devoid of the brilliant reflections we anticipated.